Lenses

Capturing The Morning After

Tue, 11/14/2017 - 15:24 -- Nick Dager

Shanra J. Kehl’s The Morning After features eight intercut vignettes shot in eight locations in 11 days, telling the story of the moment when you wake up next to someone... the next morning. Kehl served as director/writer/producer and cinematographer on the film. She shot with shot with Cooke S4/I lenses.

Shooting Instrument of War

Wed, 11/08/2017 - 11:20 -- Nick Dager

Instrument of War is a period piece based on the true story of Clair Cline, a US Army Air Forces pilot shot down over occupied Holland during World War II and held at the German Stalag Luft 1 POW camp, and The Prison Camp Violin he made from materials found in the camp and by trading Red Cross cigarettes for a bow. “We shot in Lithuania for the authenticity of the architecture, and built the POW camp around existing buildings to enhance the film’s production value,” said cinematographer Wes Johnson. With the authentic look of their sets, and a strong U.S. dollar, Instrument of War looks like it was shot for several times its actual production cost.

Cooke is the S.M.A.R.T. Choice

Tue, 09/26/2017 - 11:31 -- Nick Dager

While language barriers posed some initial challenges for the Chinese and international crew and cast of S.M.A.R.T. Chase, the upcoming action thriller produced by Bliss Media and starring Orlando Bloom, the choice of camera and lenses did not. The film was directed by Charles Martin and shot by director of photography Philipp Blaubach using Cooke Anamorphic/i lenses on Arri Alexa digital cameras to capture the modern architecture and dazzling night skyline of Shanghai.

Creating a Naturalistic Look

Thu, 09/07/2017 - 10:55 -- Nick Dager

Writer/director Paul Shoulberg’s vision for his feature The Good Catholic was to have it not look like a typical romantic comedy, but to take on a more naturalistic look and feel. To help achieve that vision, cinematographer Justin Montgomery, who worked with Shoulberg on a previous short project, selected Cooke’s S4/i prime lenses to take advantage of their warmth and bokeh, giving images a creamy quality with sharpness.

Documenting the Unimaginable

Wed, 08/23/2017 - 14:58 -- Nick Dager

The Workshop’s True North is an inspiring documentary about Sean Swarner, who in 2002 became the first cancer survivor to reach the top of Mount Everest. He’s kept climbing ever since spreading his encouraging message of hope. In a span of five years, the two-time cancer survivor with only one functioning lung scaled the Seven Summits, the highest mountains in each of the seven continents.

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