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IBC2018 to Hold Cyber Security Forum

Thu, 06/21/2018 - 12:29 -- Nick Dager

IBC2018 today announced a Cyber Security Forum for broadcasters and media. The event will be part of the annual IBC show at the RAI Convention Center in Amsterdam September 13-18. A one-day, invitation-only event, it will convene chief technology officers, chief information officers, chief information security officers and chief digital officers within media and broadcasting for a conversation on the challenges and opportunities presented by cyber security for broadcasters.

Audi Campaign Wins Screenvision’s ACE Award

Wed, 06/20/2018 - 12:48 -- Nick Dager

Screenvision Media today announced Audi's Parking Lot holiday campaign as the winner of the Hegarty Advertising in Cinema Excellence Award at the Adweek Creative 100 celebration in Cannes. Audi's Parking Lot campaign was a humorous look at the struggles of holiday shopping season, creatively showcasing the Audi RS3 and RS7 models, whilst depicting two fathers' frustrations over battling it out for the last parking space in a mall parking lot.

Abramorama, Verisimilitude Releasing PiL Documentary

Wed, 06/20/2018 - 12:43 -- Nick Dager

In celebration of Public Image Ltd.’s fortieth anniversary, Abramorama and Verisimilitude have released the first official trailer and poster of the new music documentary The Public Image Is Rotten. The career-spanning documentary, tells the story of music icon John Lydon and his pioneering group PiL with a level of depth and intimacy never before seen.

VFX Studio Mr. Wolf Opens Vancouver Studio

Wed, 06/20/2018 - 12:39 -- Nick Dager

Visual effects studio Mr. Wolf has opened a studio in Vancouver. The company, which also has operations in Los Angeles and New York, has hired veteran VFX producer Chad Cortvriendt to head the new outpost as executive producer. Cortvriendt is currently leading a team of artists in creating visual effects for the third season of Syfy’s horror anthology series Channel Zero.

The Look of Latinx

Tue, 06/19/2018 - 12:25 -- Nick Dager

Post-production finishing for the first season of Vida, the new half-hour drama from Starz and executive producer Tanya Saracho, was recently completed at MTI Film. Senior colorist Steve Porter worked with series cinematographer Carmen Cabana in finalizing the look of the show, which has just been renewed for a second season and has drawn rave reviews for its revealing portrait of Latinx life in East Los Angeles.

Fathom Adds to Executive Team

Mon, 06/18/2018 - 13:11 -- Nick Dager

Event cinema distributor Fathom Events has enhanced its executive team with the appointment of Tom Bracken as vice president of marketing, Nancy Silverstone as vice president of programming and the promotion of Daren Miller to vice president of business affairs & strategy.

Playing with the Color Space

Mon, 06/18/2018 - 12:31 -- Nick Dager

Manuel Canchola is a freelance colorist based in Mexico City. He works on a mixture of commercials, television and film and uses this variety to continuously improve his skills as a colorist. Canchola, a passionate advocate for new technology and, in particular, high dynamic range, recently spoke with Digital Cinema Report about his career and his work in color grading.

Christie Projection Partner for SIFF Ten Years in a Row

Mon, 06/18/2018 - 12:19 -- Nick Dager

Christie is marking a decade of collaboration with the Shanghai International Film Festival as the event’s exclusive cinema projection partner. “This is the tenth consecutive year that Christie has partnered with the SIFF, which is one of the largest and most prestigious film festivals in Asia, by serving as its exclusive cinema projection partner,” said Lin Yu, vice president, cinema sales for Asia, Christie. “It is an honor for us be associated with the SIFF, supplying our cinema projectors for screening feature films from around the world that are distinguished by their artistic excellence. It is a perfect combination of ‘art and technology’, and we are fully committed to delivering the best possible image on screen that allows all audiences to enjoy an immersive and highly satisfying cinema experience.”

Pretty in Pink Meets Superbad

Fri, 06/15/2018 - 11:38 -- Nick Dager

“I think if you’re making a high school movie, you can’t not watch John Hughes movies for reference,” said cinematographer Hillary Spera (Duck Butter, Submission). “Even if it’s subliminal, they’re woven into the language.” Filmmaker John Hughes had a string of hit films in the 1980s that were a true depiction of high school life in middle class suburbia. Movies like 16 Candles, The Breakfast Club, and Pretty in Pink portrayed teen characters with depth and intelligence but were also comedic.

UNIC Renews Women’s Cinema Leadership Program

Thu, 06/14/2018 - 15:05 -- Nick Dager

The International Union of Cinemas, the European Cinema trade group, has launched the second edition of its Women’s Cinema Leadership Program, a 12-month mentoring program for women in cinema exhibition. Building on the success of a ground-breaking pilot program, itself launched at CineEurope in 2017, this year’s edition will provide seven talented female European cinema professionals with the opportunity to receive one-to-one career advice, network and learn from outstanding women executives, recognized for their leadership and business success across the cinema landscape.

Vista Making Inroads in Saudi Arabia

Thu, 06/14/2018 - 15:02 -- Nick Dager

One of the biggest exhibition news stories of 2018 was the return of cinemas to the Kingdom of Saudi Arabia after a 35-year ban. Vista Entertainment supported AMC Entertainment and the Development & Investment Entertainment, a subsidiary of Saudi Arabia's Public Investment Fund, tin their efforts to open the country’s first commercial cinema this past April.

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