Mixing Sound

Venom Sound Mix Completed at Sony

Mon, 11/19/2018 - 10:14 -- Nick Dager

Box office hit, Venom, from Columbia Pictures, was among the first films to have its sound work completed through Sony Pictures Post Production Services’ expanded facilities on the studio lot in Culver City. Supervising sound editor/re-recording mixer/sound designer Will Files and his crew used a new theater-style sound design suite to create sound effects for the film, which stars Academy Award nominated actor Tom Hardy as both the alien symbiote Venom and its human host, Eddie Brock

Sound Lounge Expands Film and Television Division; Adds Evan Benjamin to Team

Mon, 11/19/2018 - 10:05 -- Nick Dager

Sound Lounge is expanding its film and television division, which provides sound editorial, ADR and mixing services for episodic television, features and documentaries. The studio is upgrading the division’s main mix stage to support editing and mixing in the immersive Dolby Atmos format. It has also added veteran supervising sound editor, designer and re-recording mixer Evan Benjamin to its team. Benjamin is best known for his work in documentaries, including the acclaimed feature documentary, RBG, about Supreme Court Justice Ruth Bader Ginsburg, as well as documentary series for Netflix, Paramount Network, HBO, and PBS.

The Unnerving Suspense of Sound

Tue, 10/30/2018 - 14:53 -- Nick Dager

Jonathan Wales, mixing at Formosa NoHo, recently completed the audio mix for the Netflix series, The Haunting of Hill House. The Haunting of Hill House was mixed in Dolby Atmos. For the show, Wales needed to convey the feeling of spaciousness in the house and create unnerving suspense throughout the mix as a family relives their scary past.

Or, As I Like to Call It, Radio

Thu, 10/18/2018 - 11:00 -- Nick Dager

In a reverse twist on the silent movies of old, The Companions: A Lost Screenplay is a film without moving images. Or, as described in accompanying notes from the de Young Museum in San Francisco, the sound installation becomes “a type of auditory cinema that explores the vital role sound plays in shaping narrative and affective space in film.” The 20-minute work, presented in the de Young’s iconic observation floor (one of the free spaces within the museum), couples sweeping 360-degree views of the city to a soundtrack of music and sound effects as reproduced through a 24-channel system of Meyer Sound loudspeakers.

Mixing a Slice of Hell

Fri, 10/12/2018 - 11:03 -- Nick Dager

Slice, currently in international release from A24, is a quirky comedy/horror tale centering on a neighborhood pizza parlor that doubles as “a gateway to hell.” For Steve Giammaria, of Sound Lounge’s Film + Television division, who acted as both supervising sound editor and re-recording mixer, Slice offered an opportunity to indulge both his sense of humor and taste for the macabre.

Dolby Surpasses 4,000 Milestone Atmos Screens Worldwide

Wed, 10/03/2018 - 13:58 -- Nick Dager

Dolby Laboratories today announced that there are now more than 4,000 Dolby Atmos screens installed worldwide. Dolby Atmos momentum continues to grow globally with screens installed in more than 90 countries. More than 150 mixing facilities and more than 1,000 feature films are released, or have been announced to be released, with support from all major Hollywood studios as well as content creators around the world, including Asia Pacific, North America and Latin America.

Sennheiser Partners with Magic Leap

Mon, 09/24/2018 - 11:44 -- Nick Dager

Extending its engagement in virtual reality and augmented reality applications, Sennheiser has partnered with spatial computing leader Magic Leap and joined the Works with Magic Leap certification program. This partnership consolidates Sennheiser’s presence and thought leadership in spatial audio as it continues to develop innovative audio tools for spatial audio visionaries and content creators.

Pages

Subscribe to Mixing Sound