Los Angeles post house Inventure Studios has renovated its Studio C with the installation of a Severtson projection screen. Now all four of its studios are equipped with a Severtson woven acoustically-transparent screen. Seveterson dealer Keith Watanabe supervised the installation.
Twenty years ago, Sound Lounge was born out of a desire to create something that did not exist in the audio post-production community. Tom Jucarone, Peter Holcomb and Marshall Grupp imagined an artist-owned studio that put a premium on excellence in everything related to sound, but with a laid-back, friendly vibe. It would be a studio packed to the rafters with state-of-the-art gear, a place where they could work at a high level and nurture the next generation of sound talent, but also a “home” where they wouldn’t mind hanging out after the work was finished.
Sound production for Columbia Pictures and Sony Pictures Animations’ feature film Spider-Man: Into the Spider-Verse, which has received critical acclaim including a Golden Globe nomination and a New York Film Critics Circle win for Best Animated Feature and a Los Angeles Film Critics Association win for Best Animation, was completed on the Sony Pictures studio lot in Culver City.
Sound designer and music producer Shreyas Srinivas first started out as a guitar player and later switched to music production. As a producer, he began doing a lot of work in post production, including sound design, sync sound and re-recording for a range of indie projects, short films and TV shows as well as a variety of Bollywood films. His latest project was Discharge, a short film about post-traumatic stress disorder
Oscar winner Simon Hayes has become the first production sound mixer to use DPA’s new d:screet Core 6000 Series subminiature microphones on a major feature film. The currently untitled movie, which is due for release in 2019, is a musical comedy directed by Danny Boyle and written by Richard Curtis (Love Actually, Notting Hill). Although details of the plot are sketchy, it is set in the 1960s and 1970s and stars Lily James, Kate McKinnon, Ed Sheeran and Himesh Patel.
Technicolor PostWorks New York provided finishing services for The Dawn Wall, the riveting, new documentary from Red Bull House Media about free-climbers Tommy Caldwell and Kevin Jorgeson’s historic attempt to conquer El Capitan in Yosemite National Park. Colorist Keith Jenson worked with co-directors Josh Lowell and Peter Mortimer and cinematographer Brett Lowell in finalizing the look of the documentary, which takes audiences along for the climb as Caldwell and Jorgeson test themselves against a sheer, 3,000-foot rock face known as the Dawn Wall.
Box office hit, Venom, from Columbia Pictures, was among the first films to have its sound work completed through Sony Pictures Post Production Services’ expanded facilities on the studio lot in Culver City. Supervising sound editor/re-recording mixer/sound designer Will Files and his crew used a new theater-style sound design suite to create sound effects for the film, which stars Academy Award nominated actor Tom Hardy as both the alien symbiote Venom and its human host, Eddie Brock
Sound Lounge is expanding its film and television division, which provides sound editorial, ADR and mixing services for episodic television, features and documentaries. The studio is upgrading the division’s main mix stage to support editing and mixing in the immersive Dolby Atmos format. It has also added veteran supervising sound editor, designer and re-recording mixer Evan Benjamin to its team. Benjamin is best known for his work in documentaries, including the acclaimed feature documentary, RBG, about Supreme Court Justice Ruth Bader Ginsburg, as well as documentary series for Netflix, Paramount Network, HBO, and PBS.
Supervising sound editors/re-recording mixers Steve Giammaria and Evan Benjamin from Sound Lounge’s Film + Television division will share their insights into documentary sound at the Doc NYC Pro Conference, held in conjunction with the Doc NYC film festival.
Jonathan Wales, mixing at Formosa NoHo, recently completed the audio mix for the Netflix series, The Haunting of Hill House. The Haunting of Hill House was mixed in Dolby Atmos. For the show, Wales needed to convey the feeling of spaciousness in the house and create unnerving suspense throughout the mix as a family relives their scary past.