The International Union of Cinemas (UNIC) has called for films selected in competition at leading film festivals to receive a full theatrical release. Following the decision from the Berlinale Film Festival to include the Spanish original film Elisa y Marcela in its 2019 official selection, the association released the following statement:
The Hollywood Section of SMPTE will host a panel discussion this month on real-time visualization tools that are revolutionizing the way film and television productions are planned. The meeting takes place Thursday, February 21, at Sim in Los Angeles.
Boasting an impressive cast including Keira Knightley, Ralph Fiennes and Matt Smith, and captured by cinematographer Florian Hoffmeister BSC, the political thriller Official Secrets was directed by Gavin Hood, and produced by Ged Doherty, Elizabeth Fowler, and Melissa Zuo. Hoffmeister selected Sony’s Venice motion picture camera system for principal photography.
Istanbul-based film and television content services provider Imaj is deploying Éclair’s broadband network and digital content delivery solutions, including its innovative ÉclairPlay content delivery platform, in Turkey. Éclair and Imaj’s new joint service offering has been designed to meet the needs of film producers, distributors and cinema exhibitors in Turkey, who have expressed increasing interest in an alternative full-service digital content distribution and broadband delivery network offering both electronic and physical delivery of content.
Antenna Creative is a new motion design studio for feature films, TV, commercials, branded content, videogames, and experiential attractions. The new company specializes in title sequence design; broadcast design; branding; logos; experiential design; live action production; and editorial. The company’s founders are Lucas Christman and Jarik van Sluijs, two award-winning creative directors, and Alexandra Hancock, a noted motion graphics and live action producer. Collectively, the team has many years of experience, ranging from renowned work in the field of title sequence design to groundbreaking broadcast design packages, and from pioneering motion picture marketing campaigns to forward-thinking brand experiences.
Christie has announced that Jack Kline, a pioneer in digital cinema technology and an architect of the innovative virtual print fee that accelerated the adoption of digital projection in movie theaters and created a revolution in global entertainment, is stepping down as chairman, president and CEO of Christie after 40 years with the company, effective April 1. Current chief financial officer Kazuhisa Kamiyama will assume the role as chairman and CEO, while Kline remains at the company as an executive advisor to the CEO until April 1, 2020 to assist in a smooth transition.
Claiming the coveted Theatrical Award for best cinematography in a motion picture, Łukasz Żal, PSC took home the American Society of Cinematographers Award for his work on Cold War. Giorgi Shvelidze took the Spotlight Award for Namme. The 33 rd ASC Awards gala took place Saturday in the Ray Dolby Ballroom in Hollywood
Sony is upgrading the capabilities of its Venice motion picture camera system by introducing high frame rate shooting, advanced remote-control functionalities and Cooke/i3 and Zeiss extended metadata support, as part of its latest firmware update. Both the free upgrade to firmware Version 4.0 and the optional HFR license will be available in June.
Éclair today announced that its Éclair Preservation initiative, which is dedicated to the secure conservation and management of digital and analog media for the film & television sectors, is in accordance with France’s new National Centre for Cinema and the Moving Image (CNC) bylaws. In effect since January 1, the regulation related to feature film production funding requires all recent and upcoming productions applying for financial support from the organization to subscribe to CST-compliant (RT 043) conservation contracts to safeguard the media’s long-term viability.
PowerHouse VFX, the New York-based boutique visual effects studio, rounded out its first year in business by serving as the sole visual effects vendor on M. Night Shyamalan’s Glass. PowerHouse completed approximately 300 shots ranging from Hero CG character animation work, environmental set extensions including buildings and cars, to bringing The Beast to life in many more scenes than they had done previously in Split.
