The Motion Picture Sound Editors association today announced the nominees for the 71st Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation, computer entertainment, and student productions.
Preserving media assets is critical. Archiving media content not only enables assets to be remonetized, but it also empowers content creators to maximize viewer engagement and drive consumer satisfaction. Historically, the cinema industry has found media archiving challenging, with real-world instances of movie libraries on tape going up in flames, the wrong files being deleted, and critical security issues.
The American Society of Cinematographers has announced its 2024 Outstanding Achievement Award nominees in feature film, documentary, television, and music video categories. Winners will be announced during the 38th Annual ASC Awards ceremony on March 3, at The Beverly Hilton Hotel in Beverly Hills, California.
The Society of Camera Operators has announced the premiere of its photography exhibition, Delivering the Image: Operators and Crew Answering the Challenge. The showcase will take center stage at the upcoming SOC Awards Show on February 24 at the Directors Guild of America, Hollywood, California providing an exclusive opportunity for attendees to personally view and acquire one-of-a-kind works by renowned photographers and past SOC Lifetime Achievement Award Honorees Phillip V. Caruso, Peter Iovino, Bruce McBroom, and JoJo Whilden.
The Academy of Motion Picture Arts and Sciences, known for the Oscars, has bestowed the Barco team with the Scientific and Engineering Academy Award for their contribution to the design and development of laser projection in cinema. The Academy’s Scientific and Technical Awards honor individuals and companies whose discoveries and innovations have contributed in significant and lasting ways to motion pictures.
Sphere Entertainment today revealed new details on its work with STMicroelectronics, a global semiconductor leader serving customers across the spectrum of electronics applications, to create the world’s largest image sensor for Sphere’s Big Sky camera system. Big Sky is the groundbreaking, ultra-high-resolution camera system being used to capture content for Sphere, the next-generation entertainment medium in Las Vegas.
For The Marvels, the new superhero adventure from Marvel Studios, Rising Sun Pictures was tasked with creating a vast city on the planet Hala, home to the Kree Empire and its artificial intelligence ruler, the Supreme Intelligence. Artists created both a representation of the futuristic city at the height of its power, and as a devastated ruin. The studio also produced the film’s awe-inspiring opening and closing sequences showing the luminous implosion and miraculous rebirth of Hala’s sun.
Goldcrest Post has named Sean Dunckley senior colorist. A highly accomplished post-production veteran, Dunckley brings more than 130 credits spanning features, streaming and broadcast. Recent projects include MGM’s critically acclaimed feature Bottoms, the Max Original crime thriller Tokyo Vice and the Apple TV+ teen comedy Dickinson. At Goldcrest, he will focus on high quality studio and independent features, streaming productions, and broadcast series.
Rising Sun Pictures delivered more than 170 visual effects shots for the first season of One Piece, the Netflix adventure series about the young pirate Monkey D. Luffy and his ragtag crew on a quest for treasure and glory. The studio’s work centered on the fantastical array of naval and pirate ships featured in the show, a live action adaptation of Eiichiro Oda’s immensely popular manga.
Rising Sun Pictures was a key visual effects provider for season two of Loki, the hugely popular series from Marvel and Disney+. The studio’s primary role was to animate Miss Minutes, an artificial intelligence driven character in the form of an orange clock who appears throughout the series, spreading propaganda on behalf of the Time Variance Authority, the organization that monitors timelines in the multiverse. RSP worked under the supervision of Marvel visual effects supervisors Christopher Townsend and Sandra Balej and visual effects producer Allison Paul.
