Production & Post-Production

Charm City Effects

Mon, 10/12/2020 - 08:50 -- Nick Dager

Director Angel Manuel Soto's powerful award-winning coming of age drama, Charm City Kings won the U.S. Dramatic Special Jury Prize for Ensemble Acting at this year's Sundance Film Festival. Inspired by the dirt-bike culture revealed in the documentary 12 O'Clock Boys, the film is the story of Mouse (Jahi Di'Allo Winston), a boy who desperately wants to join an infamous clique of bikers that rules the inner-city streets of West Baltimore. It centers on the 14-year old's emotional struggle between a strait and narrow path and the thrill and fast money of a biker's world filled with violence.

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Bite Size Halloween Features Short Genre Films

Mon, 10/12/2020 - 08:38 -- Nick Dager

Throughout October 20th Digital Studio will premiere a series of 30 diverse, genre-bending short films for Halloween 2020. Bite Size Halloween ranges from horror comedy to psychological thrillers and everything in between. Created by up-and-coming filmmakers, these films will screen across digital and broadcast platforms Freeform, FX, and Hulu’s Huluween platform hub and YouTube channel.

SMPTE 2020: Game On Program Unveiled

Mon, 10/12/2020 - 08:34 -- Nick Dager

The Society for Motion Picture and Television Engineers has unveiled the program for its annual fall conference SMPTE 2020: Game On, an interactive and immersive remote technical conference experience running November 10-12. Throughout the three-day conference experience, attendees can join live technical presentations, practical hands-on training, keynote presentations, partner programming, product and technology demonstrations, moderated roundtable discussions, and virtual panels, with continual access to a host of on-demand content. This year's event also will feature one full day focused on the convergence of eSports/gaming and media technology and the unique requirements of the thriving eSports industry.

A Biting Score

Thu, 10/08/2020 - 09:26 -- Nick Dager

Set in modern-day Brisbane, Australia, Bite Club follows a young werewolf, Adron, on his search for his missing brother in a world where supernatural beings hide in the shadows. Tapped as composer, producer and sound designer for the film, Dana James Presson knew he wanted to create an explosive theatrical presentation.

The Science of Color

Wed, 10/07/2020 - 12:23 -- Nick Dager

Catherine Meininger is a color scientist at Portrait Displays in Edmonds, Washington. She graduated from the Rochester Institute of Technology in 2018 with a Bachelor of Science degree in Motion Picture Science. “I’ve always had an interest in audio and video post-production and thought for the longest time that my career was going to be video editing,” she told me in a conversation via email. “However, while attending college, I discovered an industry where I could use my skills in math and science alongside my creative interests, and ended up finding a career that pleased both the left and right sides of my brain. I still practice audio and video editing on the side, but my main passions now lie in color science and psychophysics.” She is also already a longtime member of the Society of Motion Picture and Television Engineers and is a SMPTE volunteer and two-time presenter at the associations' annual Fall conference.

Creating Utopia’s Distinctive Style

Wed, 10/07/2020 - 12:02 -- Nick Dager

The comic book Dystopia tells the story of Jessica Hyde, a young girl on the run from the evil Mr. Rabbit, who holds Jessica’s scientist father captive and forces him to create unthinkable biological horrors. Written and illustrated by an anonymous artist, Dystopia has earned legions of fans, some of whom have found far deeper meaning in its pages and believe clues to real-world viruses and pandemics are layered into its artwork. One such group of obsessives, who have only known each other through their online interactions, come together and finally meet in person for Fringe Con, where an unwitting couple has plans to auction the recently discovered original artwork for Utopia, Dystopia’s unpublished and never-before-seen sequel.

Éclair Versioning & Accessibility Expands in France, Spain

Wed, 10/07/2020 - 10:18 -- Nick Dager

Undeterred by this year’s COVID-19 health challenges, Éclair Versioning & Accessibility has added a new state-of-the-art recording room to the Vanves’ facility as part of a wider reorganization of its Parisian studios, which included changes and upgrades to a number of its recording studios. The company has also opened a new dubbing facility in Barcelona.

Moxion Integrates Dolby Vision into Advanced Remote HDR Reviews

Tue, 10/06/2020 - 13:46 -- Nick Dager

Moxion, creator of the Moxion Immediates instant dailies service platform, has announced the integration of Dolby Vision, Dolby’s advanced imaging technology that combines high dynamic range with wide color gamut capabilities. With the ability to monitor in Dolby Vision for remote cuts, color, dailies and VFX review, key creatives are now empowered to make decisions based on the image the director, colorist and cinematographer envisioned.

DPA, Rycote Partner to Support Emerging Filmmakers

Mon, 10/05/2020 - 10:33 -- Nick Dager

DPA Microphones and Rycote have joined forces to support the film industry during these unprecedented times. The brands are launching a pay-it-forward campaign for first-time and independent filmmakers who will have the opportunity to win a customized DPA/Rycote filming kit. Among the film experts helping to support the giveaway by judging for this effort are Tim White, Bryan “Sol” Aponte, Antoin Cox and Stéphane Bucher.

Annual HPA Tech Retreat Issues Call for Proposals

Mon, 10/05/2020 - 10:29 -- Nick Dager

The Hollywood Professional Association has issued the call for proposals for the 2021 HPA Tech Retreat. This year, the respected gathering is evolving into a dynamic virtual event, taking place in February 2021. The HPA Tech Retreat has led technology transformation for over 25 years, this year turning the power of its thought leaders and key influencers towards tackling the impact of the global pandemic on the media landscape.

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