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Fundamental Global Announces Acquisition of Strong/MDI Screen Systems

Wed, 05/08/2024 - 09:32 -- Nick Dager

Fundamental Global today announced that its majority owned subsidiary, Strong Global Entertainment, has announced the proposed acquisition of Strong/MDI Screen Systems by FG Acquisition, a special purpose acquisition company, pursuant to an acquisition agreement dated May 3 between FGAC, Strong Global, MDI, FGAC Investors and CG Investments VII.

Kinepolis to Receive 2024 CineEurope Milestone Award

Mon, 05/06/2024 - 11:31 -- Nick Dager

The Kinepolis Group NV, the Belgian company operating 109 cinemas and 1,131 screens worldwide, has been named as the 2024 recipient of the CineEurope Milestone Award, given in recognition of its outstanding accomplishments within European cinema exhibition. The Award will be presented as part of the CineEurope Awards Ceremony on June 20 at the Centre Convencions Internacional Barcelona in Barcelona, Spain.

Crafting a Visual Language for Grief

Mon, 05/06/2024 - 09:29 -- Nick Dager

Now streaming on Netflix, Good Grief marks the feature-film directorial debut of Daniel Levy, well known as the co-creator and costar of the series Schitt’s Creek. Offering an uplifting perspective on dealing with the permanence of losing a loved one, Good Grief follows Marc (played by Levy), who was content living in the shadow of his larger-than-life husband, Oliver (Luke Evans). But when Oliver unexpectedly dies, Marc’s world shatters, sending him and his two best friends, Sophie (Ruth Negga) and Thomas (Himesh Patel), on a soul-searching trip to Paris that reveals some hard truths they each needed to face. Cinematographer Ole Bratt Birkeland, BSC and gaffer Chris Dowling made each of their decisions with the aim of embracing these realities. Panavision London supplied the production’s camera and lens package, and Panalux London provided lighting services. The filmmakers also worked with Light Iron for dailies and finishing services, including visual effects and final color. Light Iron’s VFX contributions included 3D tracking, reflection maps, motion vector mapping, rotoscoping, paint, and multi-layered compositing; in the final grade, Birkeland reteamed with supervising colorist Ian Vertovec. Supported throughout production and post, the filmmakers were free to skillfully explore the bright spots of bereavement. Here, Birkeland and Dowling discuss their approach to crafting the film’s visual language.

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