Lionsgate, in conjunction with Fandango, YouTube and the National Association of Theatre Owners, is launching Lionsgate Live! A Night at the Movies, a four-consecutive Friday night live-stream of movies which kicks off tonight with The Hunger Games on the distributor’s YouTube page and Fandango’s Movieclips YouTube page.
The independent trade group Cinema Technology Community has released a restart guide aimed at providing guidance for exhibitors turning their attention to their re-opening strategies post Covid-19.
Sometimes the story of how a film was made is almost as compelling as the story the film itself tells. That was certainly the case with There is No Evil, this year’s Golden Bear winner at the 70th annual Berlinale, the 2020 Berlin Film Festival. The film, from Iranian director Mohammed Rasoulof, faced serious and unique challenges getting onto the big screen at a film festival. First, there was the fact that Rasoulof is unable to leave Iran.
The Movie Studio, a vertically integrated motion picture production company, has signed a licensing agreement with FilmHub, an online marketplace for film creators and streaming services. Per the agreement, The Movie Studio will license FilmHub’s catalog for viewing on The Movie Studio App, which is available on Google Play and the App Store. The Movie Studio will also license its catalog to FilmHub for distribution via its online film marketplace.
The cloud-based video supply chain company OwnZones is helping studios and post houses around the world respond rapidly to the growing global consumption of content through its remotely compatible cloud-based platform Connect.
Short-form streaming-video platform Quibi provides premium content specifically designed for consumption on a mobile device. This presented the production of its first scripted show, Dummy, with a unique set of creative and workflow issues. In addition to the standard 16:9 aspect ratio, director of photography Catherine Goldschmidt had to create visuals for a vertically oriented 9:16 presentation.
Yvan Lucas is a veteran digital intermediate colorist with a unique international story. His career spans over 30 years, has involved working in 10 different labs, and has included creative collaborations with a long list of iconic cinematographers such as Robert Richardson, Darius Khondji and Rodrigo Prieto. Lucas credits the work he did with Khondji and director Jean-Pierre Jeunet – especially on the films Delicatessen and The City of Lost Children – for launching his international career and leading him to Los Angeles.
The film and television industry's top priority since the onset of the COVID-19 pandemic has been the health of its employees. Companies have moved quickly to find ways to adapt in-house staff to work-from-home scenarios that minimize health risks. But that’s how VFX Legion has worked since 2013.
The COVID-19 crisis is hitting many markets and industries hard. The cinema market, and specifically theatre exhibition is experiencing a big impact. Being the home of large crowds, flocking together to enjoy a fun social experience, going to the movies was put in lockdown across the world. The impact of this is not to be underestimated, because typically cinema exhibition is close to a 24/7 activity. In this article, we’ll take a forward-looking stance and focus on things to consider when starting up projection booths and re-opening cinemas again.
Even as the COVID-19 pandemic has curtailed production activity in much of Hollywood, Vortechs, an independent supplier of post-production technology, is implementing novel solutions to help its clients stay on track with motion picture and television projects. Vortechs-supplied projects, now working remotely, include the upcoming Warner Bros. features Suicide Squad 2 and In the Heights, directed by John Chu and edited by Myron Kerstein.
