Colombian chain Cinemas Procinal has just opened a new seven-screen multiplex in the city of Barranquilla, featuring Christie Vive Audio and Christie digital cinema projection throughout. Cinema Equipment & Supplies carried out the installation.
Ymagis Group today announced the appointment of Benoît Jacheet as chief financial officer. He succeeds Jean Firôme in the position. Jacheet joined Ymagis Group’s finance department last month to assist in its current financial restructuring. His appointment as CFO as part of a transition mission gives him the means to carry out the necessary reforms to reorganize the finance function and quickly establish a cash culture and improved operational performance among all managers across the group.
I’m a survivor of the great MoviePass era and I’m here to tell you my story. It's been nearly a year since I gave up my ten dollars a month subscription to the "unlimited" MoviePass program. To this day the choices I made and the blind faith I had in the system surprise me. I like to think it all started innocently enough, the concept of free unlimited movies at any theatre. No limits? No loopholes? No extra fees? It was intoxicating, to say the least, and I fell for it all hook, line, and sinker. And for a while there, it was a truly beautiful affair.
Webedia Movies Pro today released the results of an extensive survey tracking moviegoer behavior over the course of a year. The study, commissioned by WMP and produced by Vertigo research, tracked the age and gender of more than 100,000 moviegoers over a year, polling a representative sample of 2,000 moviegoers weekly.
Belgium media facility Videohouse recently upgraded its SubtitleNext Explorer and Expert software suites from PBT EU, primarily for creating subtitles for TV series and movies. Videohouse chose SubtitleNext in September 2018, to enhance its content services department. Since then, Videohouse has been working nonstop on several projects that have been subtitled using SubtitleNext. Recent notable projects include series Vikings, Big Little Lies and Siren.
Boston-area theatre Showcase SuperLux has launched a new program that elevates the cinematic experience through specially curated artwork installations and live performances by noted local musicians. In addition to the superior comfort, dining and entertainment offerings available at Showcase SuperLux, guests will now enjoy ongoing arts programs inspired by classic and current films.
Christie was the projection partner at Conque 2019, Mexico’s biggest comics and entertainment event, for the second year running. Held recently at the Congress Centre in the city of Querétaro, the event’s main auditorium featured a Christie CP4325-RBG pure laser projector.
Following his successful role as Éclair commercial director, UK, which he has held since January 2018, Dan Clark has been promoted to UK country manager effective June 1.
Sony has announced that, following the Version 4.0 firmware release this June for its Venice digital cinema camera, which includes a high frame rate license to support 120fps at 4K 2.39:1, 110fps at 4K 17:9, 75fps at 4K 4:3 and 60fps at 6K 3:2, Venice’s Version 5.0 update will further enable cinematographers to shoot at speeds of up to 90fps at 6K 2.39:1 and 72fps at 6K 17:9/1.85:1. This addition enables Venice to capture three times slow motion at 24p, even in 6K. Cinematographers can utilize the same camera across multiple speeds, maintaining the full-frame shallow depth of field, as well as the high picture quality of oversampling in 6K.
Atomos Limited has introduced Neon, an all-new line-up of precision 4K HDR field monitor-recorders for on-set or in-studio production where reliable and trustworthy monitoring is essential. Neon comes in four screen sizes, 17-inch, 24-inch, 31-inch and 55-inch, ensuring that no matter the critical production usage, every crew member sees an accurate image representation so directors know with confidence that they have got the shot, that cinematographers ensure consistent exposure, focus pullers maintain the sharpness of an actor's eyes, and so editors and color graders can lock down the creative intent from shot to shot.
