Box office hit, Venom, from Columbia Pictures, was among the first films to have its sound work completed through Sony Pictures Post Production Services’ expanded facilities on the studio lot in Culver City. Supervising sound editor/re-recording mixer/sound designer Will Files and his crew used a new theater-style sound design suite to create sound effects for the film, which stars Academy Award nominated actor Tom Hardy as both the alien symbiote Venom and its human host, Eddie Brock
Production & Post-Production
Sound Lounge is expanding its film and television division, which provides sound editorial, ADR and mixing services for episodic television, features and documentaries. The studio is upgrading the division’s main mix stage to support editing and mixing in the immersive Dolby Atmos format. It has also added veteran supervising sound editor, designer and re-recording mixer Evan Benjamin to its team. Benjamin is best known for his work in documentaries, including the acclaimed feature documentary, RBG, about Supreme Court Justice Ruth Bader Ginsburg, as well as documentary series for Netflix, Paramount Network, HBO, and PBS.
Ymagis Group has asked the Commercial Court of Nanterre to place one of the French subsidiaries of its Éclair business unit, Éclair Cinema SAS, in receivership given the performance of its activities in post-production and the restoration of cinematographic and audio-visual works. Éclair Cinema represented 5.5 percent of Ymagis Group’s revenue for the first half of 2018 and almost all losses recorded over this same period. In 2017, the subsidiary generated revenue totaling €12.4 million.
CJ 4DPlex announced this week that its multi-projection theatre technology ScreenX experienced 30 percent growth this year over last and has reached a worldwide attendance record of 2.6 million moviegoers to date, grossing $25 million at the box office.
New York Women in Film & Television has named Cynthia López, an Emmy, Peabody and duPont-Columbia Award-winning media strategist, and former commissioner of the New York City Mayor’s Office of Media and Entertainment, as its new executive director. López will succeed Terry Lawler, who concludes a remarkable 21-year tenure, effective January 1. NYWIFT president, Simone Pero made the announcement on behalf of the organization’s 18-member board of directors.
The Motion Picture Sound Editor will honor Antoine Fuqua with its annual Filmmaker Award. The director of such films as The Equalizer (1 & 2), The Magnificent Seven, Southpaw and Training Day, is being recognized for his outstanding contributions to the art of cinema. He will receive the award at the 66th MPSE Golden Reel Awards ceremony February 17th in Los Angeles.
Newton Thomas ‘Tom’ Sigel, ASC chose a full range of original Cooke Speed Panchros, with a slightly new housing and updated mechanics from Arri Rental UK, to shoot the early years documented in the 20th Century Fox/Regency production of Bohemian Rhapsody. Sigel needed to capture the idealistic energy of Freddie Mercury and his future bandmates when he first came to London in 1970. To accomplish this, he made use of a full vintage set of Cooke Speed Panchros, with a very light net at the back of the lens and a special LUT for the Alexa SXT that was specifically designed for the period. This set-up was used for the entire first act of the film, with Sigel relying mostly on the 40mm lens, with the 25, 32 and 50 as secondary lenses.
Earlier this week Éclair and Samsung held a ribbon cutting ceremony to officially open Éclair’s Paris-Vanves Onyx Cinema LED facility, the first of its kind in Europe. Éclair can now provide professional services specifically tailored for the Onyx Cinema LED – contrast ratio of 1,000,000:1, color grading with true zero nit black, and ÉclairColor DCP mastering – to European filmmakers, producers and distributors.
Technical PostWorks vice president of creative services Ben Murray will moderate a panel discussion on preparing films for distribution at next week’s Doc NYC Pro Conference, held in conjunction with the Doc NYC film festival. Murray will be joined by John Campbell, a partner and head of management at Buffalo 8; producer/director Blair Foster of Jigsaw Productions, and filmmaker Alysa Nahmias, founder of Ajna Films.
Supervising sound editors/re-recording mixers Steve Giammaria and Evan Benjamin from Sound Lounge’s Film + Television division will share their insights into documentary sound at the Doc NYC Pro Conference, held in conjunction with the Doc NYC film festival.