Long Island City, New York is the site of the first purpose-built Car Stage LED vehicle process stage. The permanent virtual environment facility is fully equipped with expansive movable LED walls and proprietary technology allowing clients to produce live, fully composed sequences through their own cameras—with ease, on the spot.
Production & Post-Production
Arri has released the Hi-5, which it says is the most sophisticated hand unit on the market, providing reliable wireless camera and lens control in demanding situations on set. Weatherproof and solidly built, it features an exceptional radio link range and unique, swappable radio modules for different territories and shooting challenges.
Samsung Electronics today announced a new partnership with CJ ENM, Asia’s leading entertainment and media group behind the Oscar-winning film Parasite, to build a virtual production studio to spearhead the production of future video content.
In Marvel Studios’ Black Widow, the title character confronts the demons of her past in a spectacular – and explosive – fashion. After discovering a flying fortress hidden in the clouds, the Avenger puts on a master class in destruction, leading to an airborne battle with heroes and villains dodging flaming wreckage as they approach terminal velocity. It’s one of the most visually complex and technically demanding scenes ever seen on film, made possible by Marvel Studios’ longtime collaborator, Digital Domain. [Editor’s Note: Warning. This article contains spoilers.]
Scared To Debt: Sallie Mae Not, chapter one of a feature documentary film by Michael Camoin, takes an investigative and historical look into public and private issued student loans and the debt crisis facing more than 45 million American borrowers today. Sallie Mae Not premieres virtually on July 26 at 1:00 pm on Film Festival Flix Livestream presented by the Whistleblower Summit and Film Festival taking place July 23 through August 1.
At its July virtual meeting, Society of Motion Pictures and Television Engineer’s Hollywood section will host a panel of experts for a discussion on the critical importance of standards in the motion picture and television industry. Providing the technical framework upon which the industry depends, standards are central to SMPTE’s mission—and yet people are often unsure of what the term means.
Upon surpassing a key milestone of 1,000 installed screens, MetaMedia, the, cloud-based entertainment technology company for cinemas, drive-ins, and other out-of-home venues, announced today that Pixelogic, a global provider of content localization and distribution services for the media and entertainment industry, has made a major investment in MetaMedia to accelerate its global expansion.
MTI Film has released an updated version of Cortex, its line of software for managing media from the set to the screen. Cortex v5.4 includes dozens of new and enhanced features designed to improve the handling of camera media, dailies production, post-production processing and deliverables packaging. User experience has also been significantly improved, making it even easier to manage projects through successive stages of production and post.
Currently in worldwide release from Columbia Pictures, director Will Gluck’s Peter Rabbit 2: The Runaway is the charming sequel to the 2018 hit about a bunny who’s a loveable rogue. Much of the creative team from the first film reunited for the new movie, including its award-winning sound team led by re-recording mixer Kevin O’Connell, supervising sound editor Robert Mackenzie and re-recording mixer/supervising Andy Wright.
“We are a little team of three here, so, we all wear many hats,” says Mirza Tahirovic, co-owner of Studio Chelia, a professional audio post-production facility in Sarajevo, Bosnia. “I’m a composer, sound editor and recording mixer, but I also do ADR recordings and other corrections when necessary.”