Production & Post-Production

Visual Effects Collective PHD Launches in LA

Wed, 06/07/2017 - 12:07 -- Nick Dager

PHD has been launched in Los Angeles as a new collective led by visual effects industry veterans John Hughes and Helena Packer and film/TV/commercials director Kevin Donovan. The company, a full service post-production house working across the genres of VR/AR, independent films, documentaries, select TV projects including limited series, and commercials, also offers clients live action production services. PHD has offices in Los Angeles, India, Malaysia and South Africa.

Kees van Oostrum to Serve Second Term as ASC President

Wed, 06/07/2017 - 11:14 -- Nick Dager

The American Society of Cinematographers has re-appointed Kees van Oostrum to a second term as president of the organization, based on votes by the board of governors. The ASC board also elected its officers for the 2017-2018 term, including: Bill Bennett, John Simmons and Cynthia Pusheck as vice presidents; Levie Isaacks as treasurer; David Darby as secretary; and Isidore Mankofsky as sergeant-at-arms.

Jellyfish Opens Virtual VFX Studios

Tue, 06/06/2017 - 12:48 -- Nick Dager

BAFTA and multi-award winning production studio Jellyfish Pictures has opened two new virtual visual effects facilities in Oval, London, creating what it believes are the first virtual VFX studios in Europe and marking great advancements in the way VFX practitioners work. The new sites are in addition to Jellyfish Pictures’ established studios in Brixton, South London, and Fitzrovia, Central London, and increase capacity by a further 70 artists, taking the company’s total workforce to nearly 200 employees.

Genelec Upgrades 1032 Monitors

Tue, 06/06/2017 - 12:40 -- Nick Dager

Genelec has upgraded its popular 1032 two-way nearfield monitors with the features and flexibility of Smart Active Monitoring. Offering the wide dynamic range, pristine imaging and on/off axis response for which the Genelec 1000 Series is known, the 1032C adds advanced monitor auto-calibration and networking software, plus across-the-board improvements including a digital input, higher SPL and increased low frequency extension.

Filming Big Cats in Kenya

Mon, 06/05/2017 - 12:42 -- Nick Dager

Filming big cats in Kenya isn’t easy. Unlike actors, these magnificent animals don’t follow cues or take direction. Catching, focusing and framing your shots is paramount. You really need to see what’s going on. That’s why ACS 2017 Australian Cinematographer of the Year Abraham Joffe turned to the Atomos Shogun monitor recorders with their daylight-viewable high brightness screens for his latest project. Every Flame and Inferno series recorder has a seven-inch display with an incredible 1500 nits of brightness. “When we are out here in the African bush we are often in pretty strong light. Even without a hood I can see what’s going on on the screen,” Joffe said. “Atomos is the best screen on the market in my opinion and it’s a piece of kit that would stay in my bag wherever I go around the world.”

AFI Launches Three-Year 50th Anniversary Celebration

Mon, 06/05/2017 - 12:27 -- Nick Dager

Fifty years ago the American Film Institute began its mission to preserve the heritage of the motion picture, to honor the artists and their work and to educate the next generation of storytellers. Established by Lyndon B. Johnson's presidential mandate in the White House Rose Garden, AFI is commemorating its golden milestone today at the AFI Conservatory Commencement on the grounds of the historic TCL Chinese Theatre in Hollywood, California.

Pages

Subscribe to Production & Post-Production