The Kill Team, which won for Best Documentary Feature at the Tribeca Film Festival and earned the Golden Gate Award at the San Francisco Film Festival, tells the story of a group of U.S. soldiers stationed in southern Afghanistan who, motivated by fear and boredom, take to murdering Afghan civilians and then staging those killings to look like good shoots.
While on location shooting the documentary about traditional silk weavers, Silkies of Madagascar, award-winning National Geographic stills photographer and video director David Evans decided to make the leap to Director of Photography.
Welcome to Digital Cinema Report 2.0. Starting with this issue the completely redesigned magazine now delivers daily updates, videos, direct links to social media, and easier access to the thousands of articles in our archives. Our redesign coincides with a turning point in the motion picture business. The digital cinema era has reached a plateau and while many see this as the end of something it is in reality just the beginning of fulfilling the promise that all the new technology has to offer – the beginning of the New Cinema era. When we launched Digital Cinema Report more than a decade ago 35mm film still dominated the motion picture industry and the Internet was just emerging as a cultural force. That has all changed and the New Cinema takes advantage of all the digital tools now available to make films and programs that are a genuine part of the social fabric, sometimes even in the conception, funding and development stages. The result is a growing number of events, movies, and documentaries that have powerful, personal and cultural messages. Last year’s The Invisible War is a perfect example. Made for less than a million dollars and nominated for many major awards, including the Oscar, it is a very important film.