Production & Post-Production

The Walk feature film, Atomic Fiction’s digital recreation of 1974 New York City—complete with hot dogs steaming on a vendor cart—earned the praise of critics who proclaimed the movie “a visual spectacle” with effects “so grand it’s easy to forget you’re watching a virtual 100 percent CG-created world.” Less visible but equally important to filmmaker clients is the studio’s behind-the-scenes production artistry. Marc Sadeghi, president of Visual Effects at Atomic Fiction said, “By combining the power of technology, the creativity of passionate artists, and a collaborative approach to working with filmmakers, we’re able to overcome the challenges inherent to VFX production. As a result, we can satisfy both the VFX appetites and production deadlines of our clients.”

One of the few newspapers to write, direct and produce a feature-length documentary, the San Francisco Chronicle, Northern California's largest newspaper, will debut its first film, Last Men Standing, April 8 at the Castro Theatre. The documentary, which follows the lives and experiences of eight long-term AIDS survivors, is part of a larger special report featuring interactive digital and print features by Chronicle reporter Erin Allday.