Production & Post-Production

Archimedia Releases World’s First IMF Media Player

Tue, 12/15/2015 - 12:20 -- Nick Dager

Iris, Archimedia’s suite of software applications designed to speed file workflow, can now play Interoperable Master Format complex files. These files are rapidly becoming a preferred format for motion pictures because they dramatically reduce the number of file versions film studios need to send out. Archimedia CEO Mark Gray said, “We are proud to introduce an upgrade to Iris that makes it the world’s first software media player for IMF complex files. Now that IMF is gaining traction in the OTT and video on demand television markets its use is sure to increase.”

Laika Celebrates a Decade of Animation

Tue, 12/15/2015 - 12:12 -- Nick Dager

Laika, the award-winning animation studio nestled in the heart of the Pacific Northwest, celebrates 10 years of bold and memorable filmmaking this month. For a company whose name means “little barker” in Russian, Portland, Oregon-based Laika has made quite a noise in the global film industry over a relatively short time. With its world-class filmmaking team, Laika pushes the boundaries of family entertainment and animated movies, redefining what stories can and should be told through the art form.

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Stereo D Creating Star Wars in 3D

Mon, 12/14/2015 - 15:34 -- Nick Dager

Beginning with this week's Star Wars: The Force Awakens directed by J.J. Abrams, Deluxe's Stereo D, has been commissioned by Lucasfilm and The Walt Disney Studios to create the stereoscopic editions for three upcoming releases in the iconic Star Wars franchise. The other two titles are Rogue One directed by Gareth Edwards and releasing on December 16, 2016, and Star Wars: Episode VIII, directed by Rian Johnson and releasing on May 26, 2017.

Capturing In the Heart of the Sea

Mon, 12/14/2015 - 13:02 -- Nick Dager

Anthony Dod Mantle, ASC, BSC, DFF, director Ron Howard's cinematographer on the 1970s Formula 1 adrenaline film Rush, was charged with creating the arresting visuals for In the Heart of the Sea. The logistics of the film, much of which involved the liberal use of water, were daunting. “Shooting a film outside, in English weather, and trying to break the film down into blocks where I could maintain continuity between exterior tanks, interior tanks and real locations – that was quite a big deal,” Dod Mantle says still with a sense of awe.

Pixvana Raises $6 Million to Bring VR Video Cloud Production, Delivery Platform to Market

Mon, 12/14/2015 - 12:28 -- Nick Dager

Pixvana, a virtual reality technology startup, has launched today with a $6 million investment led by Madrona Venture Group with participation from Paul Allen's Vulcan Capital, and angel investors. Pixvana is developing a cloud-based technology platform that dramatically improves the immersive video viewing experience for VR and augmented reality applications across a broad set of viewing devices. The company plans to bring it to market in 2016.

Why We Film Gets Kickstarter Boost

Fri, 12/11/2015 - 10:53 -- Nick Dager

Why We Film, a documentary backed by the Association of Moving Image Archivist’s Film Advocacy Task Force, is an exploration of why and how film is engaged as a physical object and experience – the compelling reasons audiences watch it, filmmakers create with it, schools teach with it, and the key factors pointing to the need for its preservation. Today, its Kickstarter campaign was chosen as a Featured Project on the Film & Video category page of the funding platform’s site. It was also recently chosen as a Staff Pick.

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