Colorflow recently provided color grading and other post-production services for Electric Ascension, a full-length concert film documenting the Rova Saxophone Quartet’s remarkable reimagining of John Coltrane’s legendary 1965 free jazz recording Ascension.
I usually use this space for announcements about projects I am shooting or screenings of films I have shot. But I have had so much interest in my camera tests for the new Sony F55, that I wanted to share my results publicly.
In the 1990s The Shooting Gallery produced some of the hottest indie films, including Sling Blade (an Academy Award for Billy Bob Thornton), You Can Count On Me starring Mark Ruffalo (Academy Award nomination) and a series of projects with now-famous actors, producers and directors. Not long ago, director/producers Whitney Ransick and Bob Gosse, along with DP/producer Gil Gilbert and his co-DP Derek Wiesehahn, chronicled the rise and fall of this industry icon in Misfire: The Rise and Fall of The Shooting Gallery.
TromaDance Detroit, Michigan's only free independent film festival is coming to the Tangent Gallery on June 22.
Mixed frame rate media has become a common headache in the post-production profession. With the abundance of affordable cameras now available on the market, and more filmmakers producing their own content using a variety of methods, post-production facilities must not only stay relevant, but also stay flexible to the clients needs when delivering projects. All of this was top of mind when Burbank based AlphaDogs Post Production recently completed post on the feature documentary FrackNation.
Cinedigm has announced a partnership with Slamdance that will bring a slate of feature programming to digital platforms.
Opening June 28, DDA cinematographer Rachel Morrion’s next feature Some Girl(s) is filled with her sensitive portraiture of poignant stories. Some Girl(s) will be the first narrative feature to be released exclusively through new online video portal Vimeo On Demand.
Submissions are now open for this year’s Moët British Independent Film Awards, which will be held on December 8. Nominations will be announced on November 11.
In 2012 Bart Layton picked up the The Douglas Hickox Award for Best Debut Director for The Imposter, Broken took home the coveted Best British Independent Film, Andrea Riseborogh won Best Actress for Shadow Dancer, while Toby Jones (Best Actor) and Peter Strickland (Best Director) won for their work on Berberian Sound Studio.
Directed by and written by Farzana Tipurita and produced by Chris Carr, owner of Beyond Mirrors, the short film The Other Woman depicts a life-changing encounter at a beauty salon between a wife who’s hiding her unhappiness behind Gucci shades, and a mistress who’s concealing her frustrations behind a professional facade. The film was a co-production between Mandala Films and Beyond Mirrors Ltd.
Post-production on Disconnect has been completed at Technicolor-Postworks in New York, where the work ran the gamut from dailies processing through digital intermediates colorist Tim Stipan (Moonrise Kingdom, Black Swan) applied the final grade, working alongside Rubin and cinematographer Ken Seng. Disconnect, the new drama from LD Entertainment and director Henry Alex Rubin, weaves three loosely related narrative lines, each of which relates to the Internet and the way it is affecting human relationships.
