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No Subtitles Necessary

Tue, 06/10/2008 - 20:00 -- Nick Dager

A Conversation with Producer/Director James Chressanthis No Subtitles Necessary: Laszlo and Vilmos premiered as an official selection of Cannes Classics at the 61st Annual Cannes International Film Festival last month. The documentary tracks a 50-year journey with Laszlo Kovacs and Vilmos Zsigmond beginning with their arrival in the United States as political refugees from Hungary in February 1957. Person A with B and C at shoot for Great Movie               There is poetic justice in this film premiering at Cannes says producer/director James Chressanthis.

A New Vernacular

Tue, 06/10/2008 - 20:00 -- Nick Dager

Stereoscope Opens to meet Growing Demand for 3D Production Post-Production Responding to Hollywood's growing demand for 3D production and post-production Stereoscope has opened its doors to serve the creative community. Equipped with the new version of Quantel's Pablo 4K color grading system which can handle real-time stereoscopic post-production the studio has been designed from the ground up to provide a full range of stereo3D digital content services from development through distribution.

Reach for Me First All-4K Movie Screened in Los Angeles

Tue, 06/10/2008 - 20:00 -- Nick Dager

Reach for Me the first feature-length motion picture to be shot and produced entirely in 4K was screened last month at Landmark Theatre's flagship theatre The Landmark in Los Angeles' Westside Pavilion. Directed by Levar Burton and produced by AMediaVision Productions the movie was captured using Dalsa's Origin 4K cinematography camera with 4K image processing and digital intermediate managed by Post Logic. It was screened at The Landmark on Sony's 4K Sony's SRX-R220 digital cinema projection system.

Report Looks at Film and TV Distribution and the Internet in Europe

Tue, 06/10/2008 - 20:00 -- Nick Dager

A new report available now offers insights into the ways in which the Internet is changing the marketing and delivering of television and film content in Europe. This companion volume to Andrew Sparrows Music Distribution and the Internet: A Legal Guide for the Music Business focuses on the practical application of UK and EU law as it applies to the distribution of television and film through the Internet.

Band Pro East Office Opens in New York City’s Chelsea Neighborhood

Tue, 06/10/2008 - 20:00 -- Nick Dager

Band Pro Film & Digital has opened Band Pro East a new branch office dedicated to servicing the needs of production industry professionals in the Northeast Southeast and eastern states. Located at 645 W. 27th Street Band Pro East is headquartered in the heart of New York’s Chelsea district. The new location will include a spacious showroom.

Technicolor Adds Four 2K Processors for HD Encoding Work

Tue, 06/10/2008 - 20:00 -- Nick Dager

Los Angeles-based Technicolor Creative Services has purchased four Digital Vision DVNR 2K image processing systems for use in high-definition DVD compression and authoring work. The systems equipped with AGR4 ME and ALS options enable Technicolor to manage film grain and video noise and correct for the artifacts that often occurs when encoding images for high-resolution formats such as Blu-Ray. The new systems are installed in Technicolor’s Burbank DVD facility.

DTS Digital Cinema Acquired by Beaufort International Group

Tue, 06/10/2008 - 20:00 -- Nick Dager

Beaufort International Group has announced that it has acquired the business and assets of DTS Digital Cinema from DTS Inc. for an undisclosed sum. Beaufort made the acquisition through its US subsidiary Beaufort California. Chris Thomas Beaufort California’s CEO says “We are very pleased to have made this acquisition. DTS is an established brand in the cinema industry and provides a solid foundation for us to develop our plans in digital cinema.

Lionsgate Signs Long-Term Digital Cinema Deal with AccessIT

Tue, 06/10/2008 - 20:00 -- Nick Dager

Lionsgate has signed an agreement to provide its movies in the digital cinema equipped theatres in AccessIT’s Phase 1 digital cinema program. Under the terms of the deal Lionsgate will pay virtual print fees under a long-term agreement similar to those signed by all the other major studios. Lionsgate is already a long-time customer of AccessIT’s Software Division employing its industry-leading Theatrical Distribution System (TDS) which enables theatre bookings for screens in the U.S. and Canada. AccessIT and Lionsgate have begun negotiations on a Phase 2 agreement.

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