Arri has unveiled the Alexa 35 digital cinema camera, a 4K Super 35 camera that the company says elevates digital cinematography to unprecedented heights. Arri’s first new sensor in 12 years builds on the evolution of the Alexa family over that period, delivering 2.5 stops more dynamic range, better low light performance, and richer colors. The new Reveal Color Science takes full advantage of the sensor’s image quality, while Arri Textures enhance in-camera creativity. Easy operation, robust build quality, new accessories, and a complete new mechanical support system round out the Alexa 35 platform.
Star Trek: Strange New Worlds is spin-off from Star Trek: Discovery and a prequel to Star Trek: The Original Series, Strange New Worlds follows Captain Christopher Pike and the crew of the USS. Enterprise. Cinematographer Glen Keenan, CSC, wanted to give the show the most organic, non-studio look to convince the audience they were seeing a real location.
For the small budget adventure-thriller Nine Bullets, cinematographer Byron Werner wanted to be true to the intimate nature of the film, while elevating the look to that of a bigger budget project. Dealing with COVID restrictions added to the challenge.
Bringing a harrowing real-life story to the screen demands the lightest possible touch of Hollywood’s usual hyperreality. Hulu's Dopesick, based on Beth Macy’s book, tackles the background to America’s opioid addiction crisis, and must walk that fine line between informing and entertaining its audience. Cinematographer Checco Varese, ASC, used Zeiss Supreme Prime, Cinema Zoom and Supreme Prime Radiance lenses with the large-format Sony Venice in its 6K large format mode to bring a careful balance of style and substance to all eight episodes.
Arri has introduced new modular, lightweight, and extremely robust accessories for the Sony Venice and Venice 2, which are now available for delivery. Building on customer feedback about Arri’s widely adopted original line of Venice accessories, these new components offer further rigging opportunities and more mounting options.
The original King of Boys feature film, written and directed by Kemi Adetiba, follows the story of Alhaja Eniola Salami, a businesswoman and philanthropist with a chequered past and a promising political future. As her political ambitions see her outgrowing the underworld connections responsible for her considerable wealth, she's drawn into a power struggle that threatens everything she holds dear. Details about the sequel are shrouded in secrecy but will provide a long-awaited continuation of the gripping story. The sequel’s cinematographer is Kagho Odhebor.
Netflix’s Sweet Magnolias is a dramatic romance tale set in the South about three lifelong friends navigating their personal and professional priorities and relationships alongside one another. Sweet Magnolias cinematographer Brian Johnson is a Gemini Award nominee, a two-time Golden Sheaf award winner and recipient of two Leos, whose resume includes The Killing, and You Me Her, to name a few. He was joined on the series by Tyler Blackwell, digital imaging technician, whose credits include One Night in Miami…, Ant-Man and the Wasp, and Women of the Movement, among others. Johnson shot with a Sony Venice full-frame digital cinema cameras. Blackwell follows the production on a combination of Sony PVM-X2400 and BVM-HX310 4K high dynamic range monitors.
Set in in New York City in the 1880s, a period marked by the clash between old traditions and new paradigms, Julian Fellowes’ HBO original series The Gilded Age tells the story of two families from different socioeconomic backgrounds and the relationship between them as they are trying to navigate those times of immense change. The Gilded Age chronicles the wide-eyed young scion of a conservative family who moves to New York City in 1882 and finds herself in the middle of a social war between old money and new money battling to preserve, or ascend, the social hierarchy. The first episode became available for streaming in the U.S. on HBO Max last month. Vanja Cernjul, ASC, HFS was the cinematographer for the series.
Award-winning writer and director Paolo Sorrentino’s latest film, The Hand of God, is the poetic story of a young man’s heartbreak and liberation in 1980s Naples, Italy. Although cinematographer Daria D’Antonio’s has worked for many years as part of Sorrentino’s camera crew, including Il Divo and Lan Grande Bellezza (The Great Beauty) this is her debut as director of photography for Sorrentino after learning firsthand from Sorrentino’s frequent cinematographer – and her maestro – Luca Bigazzi. One of her goals with this film, she said, was to make certain that the camera didn’t distract the audience from what was happening on screen.
The Last Thing Mary Saw – a Shudder original movie for the AMC Networks’ premium streaming service for horror, thrillers and the supernatural – takes place during the winter of 1843, in which a young woman is under investigation following the mysterious death of her Calvinist family’s matriarch. Her recollection of the events sheds new light on the ageless forces behind the tragedy. Released in the U.S. on January 20 on Shudder, the film stars Rory Culkin, Stefanie Scott, and Isabelle Fuhrman, and is written and directed by Edoardo Vitaletti, making his feature length film debut. David Kruta was the cinematographer.