Mixed frame rate media has become a common headache in the post-production profession. With the abundance of affordable cameras now available on the market, and more filmmakers producing their own content using a variety of methods, post-production facilities must not only stay relevant, but also stay flexible to the clients needs when delivering projects. All of this was top of mind when Burbank based AlphaDogs Post Production recently completed post on the feature documentary FrackNation.
In anticipation of the mass adoption of 4K/Ultra High Definition technology worldwide, New York’s Digital Arts has opened what it is calling the first true-4K post production facility on the East Coast.
The Colonie’s Joe Clear has edited a new spot for The Beef Council and Leo Burnett that celebrates the time-honored traditions of the backyard barbecue.
Shotgun Software has released Shotgun Version 5.0, which encompasses production tracking, scheduling, review and approval, helping modern production pipelines run as efficiently as possible and now includes a new UI and toolset designed specifically for artists and supervisors. Shotgun 5.0 also adds new tools for task tracking, review and approval, collaboration and search, and is still priced at $49 per seat, per month.
MTI Film has announced that its Cortex product line now includes full support for Sony’s recently developed XAVC recording format. XAVC is included in Cortex::Control Dailies DP, Pro, Studio and Ultimate editions and in the Stream, Pro, Studio and Ultimate editions of Cortex::Convey. Support for Sony RAW and SR Masterformats is already included in all Cortex editions including the free edition of Cortex::Control Dailies.
The Hollywood Post Alliance announces the opening of the Call for Entries for the Eighth Annual HPA Awards, which will take place on the evening of November 7th at the Skirball Cultural Center in Los Angeles, California. Considered the standard bearer for excellence and innovation, the HPA Awards recognize the achievements of the individuals and companies that have contributed to groundbreaking technologies and creative excellence within the post production industry.
Post-production on Disconnect has been completed at Technicolor-Postworks in New York, where the work ran the gamut from dailies processing through digital intermediates colorist Tim Stipan (Moonrise Kingdom, Black Swan) applied the final grade, working alongside Rubin and cinematographer Ken Seng. Disconnect, the new drama from LD Entertainment and director Henry Alex Rubin, weaves three loosely related narrative lines, each of which relates to the Internet and the way it is affecting human relationships.
When Light Iron CEO Michael Cioni made the move to Manhattan from Los Angeles this past January, he wasn’t worrying about finding a good rental opportunity. After all, without really having to search, he was already set up quite nicely at 580 Broadway after a few months renovation. In a real estate deal said to go off with minimum hassle, Cioni’s Light Iron had taken the eighth floor space held by OffHollywood’s post-production operations, which included a sleek digital intermediates grading theater.
Autodesk’s Smoke 2013 Extension 1 professional video editing software is now available. It is the first outcome of the collaboration between Autodesk and Blackmagic Design. As part of the product roadmap and influenced by extensive feedback from editors, the release features numerous enhancements to help improve functionality, add flexibility and increase speed.