One of the most critical decisions that any independent producer has to make is what camera to choose for a particular project. Such was the case with writer/director J.C. Khoury and director of photography Andreas von Scheele when they filmed their recent feature-length comedy/drama All Relative.
With knowing irony, the filmmakers behind the new independent horror feature Found Footage 3D, call their movie “the Scream of the found footage genre,” and it’s part of the point they’re making. “Of course, shooting a found footage movie in 3D doesn’t make a damn bit of sense,” says Steven DeGennaro, the movie’s writer, director and producer.
Spotlight Pictures has taken on worldwide sales rights for Arctica Films' environmentally conscious film, Chloe and Theo.
When you’re responsible for Nike’s visual message to World Cup fans, the pressure is intense. Not ready in time? Then Nike just missed their shot. For Passion, rising to the occasion meant using PipelineFX’s Qube. Their reward was the award-worthy hit The Last Game – another in a string of successes managed by the number one render farm manager for VFX
Tazza: The Hidden Card (also referred to as Tazza 2) makes its debut in the U.S. and Canada on September 26.
Pakistan post house Darkroom Asia has won a major contract with ARY Films as a strategic partner in providing post-production and VFX-related services. Darkroom Asia CEO Salman Hasan credits the company’s new SGO Mistika 4K system with sealing the deal. The first project was the feature film Main Hoon Shahid Afridi, which some say marks the rebirth of the Pakistan film industry.
An independent filmmaker with many successes to his credit said it best: “Forget the show. Remember the business.” The most common mistake that new filmmakers make is to ignore the business side of the show business equation. And yet the financial aspects of show business are typically the most challenging. Last week in New York’s Gramercy Park neighborhood, the equipment sales and rental house Adorama hosted a panel of veteran filmmakers to discuss current approaches to motion picture finance and give practical advice about how producers can earn a return on their investment. More than fifty people crowded into the small meeting room for the discussion, which was moderated by Digital Cinema Society president James Mathers, himself a successful indie film cinematographer. The panelists brought a wide range of experiences to the conversation.
Accomplice Media has signed filmmaker Eva Michon for exclusive representation in commercials. A skillful visual storyteller with a whimsical sense of humor, Michon has earned considerable praise for her work in music videos and fashion films, the latter including work for such designers as Calla, Pink Tartan, Ten Over Six and Rita Liefhebber. Her first feature-length film, Death From Above 1979: A Fly in Amber about the Canadian dance-punk duo, is currently in post-production.
Drafthouse Films and the Film Society of Lincoln Center have announced the gallery opening of The Dog: Images of a Real Bad Boy - Photographs By Marcia Resnick, in conjunction with the theatrical release of Allison Berg and Frank Keraudren's documentary The Dog. The exhibit will open August 6 at the Film Society of Lincoln Center's The Furman Gallery at the Walter Reade Theater that include photos Resnick took of The Dog himself, John Wojtowicz, the inspiration for Al Pacino's character in Dog Day Afternoon, at his most candid in the 1970s. The exhibit will stay up until August 15.
With all the attention focused on a film’s visuals, its audio sometimes receives insufficient attention. The best cinematography and visual finish can be ruined by inadequate audio post-production, an outcome that separates the amateur from the professional filmmaker.