Restoration

Grizzly II: The Revenge Reborn

Wed, 03/24/2021 - 09:29 -- Nick Dager

Goldcrest Post recently performed a feat of post-production magic for one of the most unusual film releases of the year. Grizzly II: The Revenge, a thriller about a giant bear that attacks fans at a rock concert, was shot in 1983 by the late Hungarian director André Szöts. Starring Steve Inwood, and including appearances by George Clooney, Laura Dern, Louise Fletcher and Charlie Sheen, the film was intended to be a sequel to Grizzly, a modestly budgeted independent film that became the top grossing independent film of all time upon its release in 1976, but it was left unfinished. That changed late last year when executive producer Suzanne C. Nagy retrieved the nearly 40-year-old original elements from storage and sought Goldcrest’s help in getting the film ready for its long-delayed release.

AMIA Launches Diversity and Inclusion Fellowship Program

Thu, 05/21/2020 - 09:04 -- Nick Dager

The Association of Moving Image Archivists has launched the AMIA Diversity and Inclusion Fellowship Program a new initiative designed to expand career opportunities, advance learning objectives and guide professionals from groups that have been traditionally underrepresented in the field of audiovisual archiving and preservation.

Who Was Filibus?

Tue, 03/26/2019 - 12:58 -- Nick Dager

After more than a century, the highly acclaimed 1915 silent thriller Filibus has been fully restored and will be screened at the Eye Filmmuseum in Amsterdam, which is hosting the 10th Women and the Silent Screen Conference this May 25–29. Not only has the museum done a loving restoration of the film but, in the process, they also answered a question that surrounded the movie and added to its success: what was the name of the actress who played Filibus?

Éclair Announces Updated Long-Term Digital Preservation Initiative

Wed, 01/30/2019 - 11:45 -- Nick Dager

Éclair today announced that its Éclair Preservation initiative, which is dedicated to the secure conservation and management of digital and analog media for the film & television sectors, is in accordance with France’s new National Centre for Cinema and the Moving Image (CNC) bylaws. In effect since January 1, the regulation related to feature film production funding requires all recent and upcoming productions applying for financial support from the organization to subscribe to CST-compliant (RT 043) conservation contracts to safeguard the media’s long-term viability.

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