Cooke Optics, EZtrack Partner on Integrated Production System
Cooke Optics has partnered with EZtrack to develop a seamlessly integrated system that, the companies say, revolutionizes the way movies are made.
Technology
Stadler New Head of Arri Approved Certified Pre‑Owned Program
Under the umbrella of the Approved Certified Pre‑Owned Program, Arri offers technically refurbished products with the same warranty as new models. This globally oriented program is now headed by Arne Stadler as business manager certified pre‑owned program camera systems & lighting.
PNYA to Discuss Artificial Intelligence’s Impact on Post-Production
The Post New York Alliance will explore how artificial intelligence is revolutionizing post-production in the next edition of Post Break, its free webinar series. The Role of AI in Filmmaking is scheduled for Thursday, May 18th at 4:00 pm ET.
Cartoni Acquires Manios Digital & Film
Cartoni, the Rome-based designer and manufacturer of professional camera support products, for the film, television, and broadcast industries, has acquired Manios Digital & Film, the North Hollywood-based supplier of premium camera equipment. Manios Digital & Film has represented Cartoni products across the United States since 1989.
The Challenges of Remote Shooting
When line producer Craig Fleming started looking at locations to film Cea Sunrise Person’s autobiographical book North of Normal, he knew it had to be a remote location. Once Fleming found the ideal location, he knew that rural British Columbia would play a starring role. But the beautiful location presented a challenge: at first it appeared that its remoteness meant the crew couldn’t connect with the outside world.
Mog Technologies Releases New Line of Media Creation Products
Mog Technologies has released its new product line for media professionals. The company says this new collection of tools and software will help media creators and distributors bring their visions to life and share them with unparalleled speed and precision.
Sundance Filmmakers Overwhelmingly Choose Adobe Technology
For the fifth year in a row, more Sundance Film Festival filmmakers selected Adobe video editing and collaboration tools than any other. This year’s annual Sundance Institute survey found that more than two-thirds (67 percent) of Sundance films used Adobe Premiere Pro or Frame.io to bring their stories to life: Premiere Pro is the festival’s most popular video editing software, used by more than half of Sundance films, including Plan C, Going Varsity in Mariachi, Sometimes I This about Dying, Fremont and many others.
Last Chance to Name the DCR Twenty-Twenty
Time is running out to name the top twenty most significant developments in motion picture business and technology over the past two decades. Friday, October 28, is the last day to tell us your choice. This November, Digital Cinema Report will celebrate its twentieth year in business. To mark the milestone, we want to highlight what readers think have been the developments that were critical to the advancement of digital cinema.
DCR Twenty-Twenty Judges Named
The judges for the Digital Cinema Report Twenty-Twenty list have been named. They are, in alphabetical order are Brock Bagby, Tom Bert, Cedric Lejeune, Loren Nielsen and Leon Silverman. More about the judges in a moment. But first, this November, Digital Cinema Report will celebrate its twentieth year in business. To mark the milestone, we want to highlight the top twenty most significant developments in motion picture business and technology over the past two decades.
EDCF Annual Seminar at IBC Looks to Cinema’s Future
The European Digital Cinema Forum offered its annual global seminar at IBC 2022, which wrapped up in Amsterdam last week. This year’s agenda included a general market overview and current industry topics such as cybersecurity, high dynamic range, the cinema ecosystem and its challenges, and audio quality in the cinema.
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