Fraser Turns to Cooke Lenses for Vice
Over the 50 years chronicled in director Adam McKay’s Vice, cinematographer Greig Fraser had the challenges of photographing actors playing characters twice their age — with intense prosthetics, makeup and hair — while also making a potentially dull series of office-based scenes into a visually interesting story for audiences. To accomplish this feat, Fraser relied on Kodak 200T and 500T film and Cooke Optics’ Anamorphic/i prime lenses.
