Stream TV Networks will highlight its Ultra-D glasses-free 3D technology at the National Association of Broadcasters convention in Las Vegas next week, marking the first time that the glasses-free 3D screens will be on display at the show. It also marks the start of Stream TV’s relationship with SGO. The system is being tested in full by London-based post facility Onsight. SGO is in booth SL9021.
QuVIS Technologies today announced the integration of the QuVIS Wraptor digital cinema package encoder in the next update to Adobe Media Encoder CC and directly accessible from Adobe Premiere Pro CC. Company officials will demonstrate the capability of the Wraptor Media Encoder integration at the National Association of Broadcasters convention next week in Las Vegas. The new integration will provide Adobe Creative Cloud members with the ability to easily create digital cinema packages for distribution and archiving.
The Devil & Demon Strategy today announced the availability of what the company is calling super-computers for everyone. The new product line of Devil supercomputers and Demon workstations will be on display at the National Association of Broadcasters convention in Las Vegas next week. At the show Devil & Demon systems will be running a variety of software including Autodesk’s VRed simulator, Chaos Group’s VRay RT and Digital Vision’s Nucoda, as well as Survios’ VR game Zombies On The Holodeck.
Fujifilm will announce the latest addition to its Cabrio series of cine zooms, the Premier PL 25-300mm Cabrio [ZK12x25] at the National Association of Broadcasters convention in Las Vegas next week. Equipped with a 35mm PL mount, the PL 25-300mm boasts a high zoom ratio covering the focal length of 25mm to 300mm.
The Dark Place tells the story of Keegan Dark, who has the uncanny ability to remember his life in videographic detail. Both a blessing and a curse, Dark uncovers a conspiracy that frames him for murder, threatens his inheritance, and endangers his family’s lives and livelihood. When director Jody Wheeler began shopping for a post-house to complete his feature film The Dark Place, he chose AlphaDogs because he had been told of their excellent reputation in working with independent filmmakers.
Marvel Studios used Codex recording technology to streamline the capture-to-post workflow on several high-profile productions, the most recent of these being Captain America: The Winter Soldier. Cinematographer Trent Opaloch chose to frame the action in a widescreen anamorphic format, captured by Arri Alexa Plus cameras shooting ArriRaw with a 4:3 sensor and Codex Onboard S recorders.
Three top filmmakers will hold seminars next week at the Miller Camera Support booth (C9520) at the National Association of Broadcasters convention in Las Vegas. Accredited time-lapse photographer Ryan Killackey, renowned Italian filmmaker Ketch Rossi and esteemed British filmmaker Philip Bloom will each share their insights into the complex, inner workings of the film and television industries and why they choose to rely on Miller Camera Support equipment when out in the field.
Celebrating its 50-year anniversary, Fox Studios Australia based specialist editorial facilities provider Spectrum Films has selected Mistika to drive its expansion of high-end color grading, finishing and digital intermediates using SGO's proven technology at the helm. This is the first real-time 4K-capable Mistika system in Australia, and includes advanced DI grading as well as Digital Cinema Package tools enabling encrypted or un-encrypted DCP creation directly from camera raw and other media files directly off the timeline.
Camp Takota: Feature Filmmaking in the Age of YouTube will be the topic of a Super Session to be held next week at the National Association of Broadcasters convention in Las Vegas. The session will take place on Wednesday, April 9 at 2:30 p.m. in room S222.
Angénieux will unveil a new line of mid-budget zoom lenses at the National Association of Broadcasters convention in Las Vegas next week. The company says the move was prompted by the proliferation of 4K digital screens and the advent of Ultra definition television that are escalating the demands for high quality motion picture content. A vast spectrum of new generation digital 35mm cameras has become available, and these are being deployed in numerous production environments encompassing movies, dramas, commercials, concerts and live sports events.
