Éclair Launches UHD 4K Blu-ray Authoring Services
Éclair today announced the launch of its UHD 4K Blu-ray authoring services with the French release of Damien Chazelle’s La La Land.
Production & Post-Production
Horse Soldiers 100th Dolby Cinema Title
Dolby Laboratories today announced that Warner Bros. Pictures’ Horse Soldiers is the 100th Dolby Cinema title. "Reaching the 100th announced title for Dolby Cinema is a tremendous accomplishment that couldn’t have been achieved without the support from the directors and filmmakers who want to use the best technology for their storytelling,” said Doug Darrow, senior vice president, cinema business group, Dolby Laboratories. “In 2017 we announced 44 Dolby Cinema titles, more than any other premium format, which is a testament to the ongoing commitment from Hollywood and studios around the world to deliver the best experience to the cinema.”
Africa Channel Marketing Content on the Cloud
Los Angeles-based The Africa Channel is currently using WCPMedia Services’ cloud-based media management platform in marketing content to broadcasters, streaming services and other distribution outlets worldwide.
Avoiding Torn Frames in Ghost
Typically, torn frames appear when a flash or strobe is not properly timed with a camera’s shutter and frame rate. They appear as a flash in the bottom half of one frame followed by a flash in the top half of the next frame. An innovative light source helped Ghost in the Shell cinematographer Jess Hall, BSC avoid the problem and bring a new level of visual sophistication to director Rupert Sanders’ epic feature.
Long Distance Snow Job
For Nissan’s Return of the Snowman spot, visual effects specialists The Embassy in Vancouver banded together with post house Alter Ego in Toronto. The Embassy is well known for its photo-realistic, hard surface VFX work, from creating the digital Iron Man suits for all three films to building massive drop ship hangers for The Hunger Games trilogy. Having worked on countless commercials with Alter Ego, The Embassy made the decision to become part of the creative process for grading, to improve the efficiency and precision of their VFX work and present a consistent preview to their clients.
GreenSlate Names Baker VP Sales, New Business Development
GreenSlate has hired William Baker to serve as the company’s vice president of sales and new business development working out of their Los Angeles office. Baker brings more than seventeen years experience leading startup, high-growth and established companies in film, television and commercial production to his new role.
Shooting Big Time
Scot Stewart, owner and creative director of Vistar Media Solutions, had four days to shoot Big Time, the new music video from rock band Great White. The production shot in early May throughout Riverside and Yucaipa, California. The video supports the first single off the band’s new album, Full Circle.
Visual Effects Collective PHD Launches in LA
PHD has been launched in Los Angeles as a new collective led by visual effects industry veterans John Hughes and Helena Packer and film/TV/commercials director Kevin Donovan. The company, a full service post-production house working across the genres of VR/AR, independent films, documentaries, select TV projects including limited series, and commercials, also offers clients live action production services. PHD has offices in Los Angeles, India, Malaysia and South Africa.
Kees van Oostrum to Serve Second Term as ASC President
The American Society of Cinematographers has re-appointed Kees van Oostrum to a second term as president of the organization, based on votes by the board of governors. The ASC board also elected its officers for the 2017-2018 term, including: Bill Bennett, John Simmons and Cynthia Pusheck as vice presidents; Levie Isaacks as treasurer; David Darby as secretary; and Isidore Mankofsky as sergeant-at-arms.
Jellyfish Opens Virtual VFX Studios
BAFTA and multi-award winning production studio Jellyfish Pictures has opened two new virtual visual effects facilities in Oval, London, creating what it believes are the first virtual VFX studios in Europe and marking great advancements in the way VFX practitioners work. The new sites are in addition to Jellyfish Pictures’ established studios in Brixton, South London, and Fitzrovia, Central London, and increase capacity by a further 70 artists, taking the company’s total workforce to nearly 200 employees.
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