Production & Post-Production

Back to Basics for Son of Saul

Wed, 02/24/2016 - 10:35 -- Nick Dager

Son of Saul, László Nemes’ Golden Globe winner, is set in the horrors of Auschwitz in 1944. The movie was shot on 35mm film, which underlined its stark and understated look. To capture the emotions that underpin the movie, Nemes set about what seems today like a revolutionary analog to digital workflow: he not only shot the feature on film, but he finished and reviewed it on film, too. Son of Saul is a very raw story. The harrowing story, also nominated for best foreign language Oscar, got its subtle grading atmosphere from one of the FilmLight Baselight suites at Budapest facility Magyar Filmlabor (Hungarian Filmlab). Having achieved the visual style that Nemes and the movie’s DP Mátyás Erdély wanted in the film print, colorist László Kovács set about recreating this in Baselight.

ASG Tops 100 NetApp E-Series in Use

Wed, 02/24/2016 - 10:25 -- Nick Dager

Advanced Systems Group says that more than 100 film and video production and post-production clients are now using its NetApp's E-Series storage systems. "In the video and film production world, digital storage has transitioned from being a useful part of the process to being the central hub of the process,” said Dave Van Hoy, founder and president, ASG. “As such, the value of tier-one products such as the NetApp E-Series has become not just desired, but critical."

Platige Image Relies on Qube

Tue, 02/23/2016 - 13:15 -- Nick Dager

Platige Image has created cinematics for AAA games and commercials for Coca-Cola. It's produced viral teasers for the European Space Agency's Rosetta mission and visual effects for Lars von Trier's Antichrist. It's won two BAFTAs, and has been nominated for an Academy Award, a Golden Palm at Cannes, and a Golden Lion at the Venice Film Festival. And for the last five years the Polish animation and visual effects house has relied on Pipeline FX’s Qube render farm management system. “It's impossible to count how many shots we've rendered through Qube,” says Platige lighting artist Krzysztof Dębski. “It must be in the hundreds of thousands.”

Citizen Pictures Adds Xcellis Workflow

Tue, 02/23/2016 - 11:59 -- Nick Dager

Denver-based post-production house Citizen Pictures has deployed Xcellis workflow storage, powered by Quantum's StorNext platform, to achieve greater efficiency in meeting tight production deadlines. Supplied and integrated by Quantum partner StorExcel, the Xsan-compatible Xcellis system is a highly scalable, easy-to-manage solution that increases the flexibility and productivity possible within Citizen Pictures' collaborative media workflow. Citizen Pictures is an Emmy Award-winning, lifestyle-focused content-creation company that specializes in high profile, talent-driven productions, largely for food-oriented networks and digital platforms. With a team of about 25 people, it creates programs such as Diners, Drive-Ins and Dives, Smoked and Guy & Hunter's European Vacation. Until it deployed the Quantum Xcellis storage solution, Citizen Pictures had relied on an aging Xserve infrastructure with limitations that the company recognized would eventually prevent it from maintaining the capacity and performance necessary to meet production deadlines.

House Play

Tue, 02/23/2016 - 11:52 -- Nick Dager

Houses in Motion was called upon by Nick Jr. to produce a playful broadcast package that brightens its young viewers’ winter with a Warm & Fuzzy feeling. The integrated series of promos, IDs, and bumpers features stylized versions of established characters from the network’s popular children’s programming and introduces a new crew of adorable critters. Houses brought their message to life through stop motion animation that echoes the characters’ organic, handcrafted qualities.

Richard King’s Sound Career Honored

Fri, 02/19/2016 - 14:38 -- Nick Dager

On February 27th, supervising sound editor and sound designer Richard King will receive the Motion Picture Sound Editors’ 2016 Career Achievement Award. A three-time Academy Award winner (Inception, The Dark Knight and Master and Commander: The Far Side of the World), King will join such previous sound professionals as Skip Lievsay, Randy Thom, Larry Singer, Walter Murch and George Watters II as a recipient of the MPSE’s highest honor.

Call for Papers for SMPTE 2016

Fri, 02/19/2016 - 14:30 -- Nick Dager

The Society of Motion Picture and Television Engineers is seeking proposals for technical papers for the SMPTE 2016 Annual Technical Conference & Exhibition October 24-28 in Hollywood, California. The proposed papers must be informational and address technical theory, research, innovations, applications, or practices specific to any of the evolving technologies associated with the media technology industry. Initial abstracts must be submitted online no later than April 22.

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WCPMedia Brings Virtual Screening to Italian Film Market

Fri, 02/19/2016 - 14:22 -- Nick Dager

WCPMedia Services recently helped MIA Market, Italy’s first-ever international market for film, television, documentaries and video games, connect content owners with potential buyers through the use of its groundbreaking media management platform. The cloud-based service allowed MIA’s 1600 participants—in Rome and in 58 countries worldwide—to view new content on demand via secure, online screening rooms. MIA was held recently in Rome in conjunction with the Rome Film Fest.

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