Universal Pictures premiered the restored 1929 silent film classic The Last Warning June 4 at the Castro Theater as part of the San Francisco Silent Film Festival. Directed by Paul Leni and starring Laura La Plante, The Last Warning is a dramatic horror centered on an unsolved murder during a theatrical performance and the revival production meant to solve the mystery. This restored version is a part of Universal's silent restoration initiative announced last year.
In a project for 20th Century Fox spanning nine months, Roundabout Entertainment restored and remastered the first eight seasons of the classic procedural police drama NYPD Blue. More than 170 one-hour episodes were scanned and finished in 2K, restoring the show to pristine quality for a new domestic release.
Ymagis Group has announced the June 8 launch of Celluloid Angels, the first crowd-funding platform to finance the restoration of heritage/classic films. Celluloid Angels will enable visitors to participate in a unique experience by assisting in the conservation of international heritage films in a meaningful way.
The Library of Congress is once again providing a unique opportunity for film scholars and archivists to play cinematic detective by participating in its free Mostly Lost workshop. The case is solving riddles and finding clues to the identity of unidentified, under-identified or misidentified silent and early sound films. The scene is the state-of-the-art theater at the Packard Campus in Culpeper, Virginia, and the date is Thursday, June 16, through Saturday, June 18.
Universal Pictures and The Film Foundation celebrated the Cannes Film Festival with the world premiere screening of the newly restored 1961 film, One-Eyed Jacks, starring and directed by Marlon Brando. Steven Spielberg and Martin Scorsese, who had long advocated for the film's restoration, closely supervised the work to ensure the restoration honored Brando's original artistic vision. One-Eyed Jacks was digitally scanned in 6K and restored in 4K from the original 35mm VistaVision negative.
New York Women in Film & Television’s Women's Film Preservation Fund is calling for proposals for grants to restore and preserve American films in which women have had significant creative positions. The WFPF's mission is to save films of unique importance in American history and in the history of women's cinema. Individuals and not-for-profit organizations are eligible to apply for grants of up to $10,000. The association’s next grant proposal deadline is June 1st, 2016.
MTI Film, Hollywood recently completed the restoration of 20th Century Fox’s 1933 classic The Power and the Glory. The restored version of the film is currently submitted for a 2016 Focal International Award for Best Archive Restoration and Preservation Project. Directed by William K. Howard, The Power and the Glory tells the story of a ruthless railroad tycoon who works his way up from track walker to president of the company. The film is notable for a strong performance from a 33-year-old Spencer Tracy and for its script, the first produced by Preston Sturges.
Kodak has announced the release of a new, P-200 Film Cleaning System that the company says transforms the traditional film cleaning process. The revolutionary design allows the cleaning solvent to be dispersed on the film surface in a unique way. This economical, compact and digitally controlled system, which uses Kodak HFE 7200 Film Cleaner Solution, makes it ideal for today’s archives and libraries.
Sony Pictures Entertainment recently completed a 4K restoration of Cover Girl, director Charles Vidor’s 1944 Technicolor musical that marked one of the first starring roles for Rita Hayworth. The new restoration, completed under the supervision of Grover Crisp, Sony Pictures executive vice president asset management, film restoration & digital mastering, recently premiered at The Museum of Modern Art in New York’s just-concluded thirteenth International Festival of film preservation, To Preserve and Project.
The Association of Moving Image Archivists has enlisted keynote speakers Erik Weaver and John Downey for the Digital Asset Symposium, November 18-19 at the Hilton Portland & Executive Tower in Portland, Oregon. This year marks the first time that DAS will run simultaneously with AMIA’s Annual Conference, which takes place November 18-21.