Sony Electronics Inc.’s cloud-native professional media management and collaboration platform, Ci, is expanding its feature set to include enterprise asset management. The debut of Ci Catalog enables enterprises to build and securely manage centralized libraries of rich media and make them easily accessible to stakeholders across teams, departments, divisions or companies.
The Digital Citizens Alliance and Nagra have jointly an investigative report showcasing how illegal piracy subscription services in the United States have grown into a billion-dollar industry that steals from creators, circumvents legitimate TV operators, and poses risks for consumers. The report, entitled Money for Nothing, details how a sophisticated ecosystem of thousands of retailers and wholesalers – through content theft and enabled by legal businesses – provides illicit piracy services to at least nine million U.S. households.
OwnZones Entertainment Technologies has released three new features to its OwnZones Connect platform to support customers and optimize user experience. The new features, which include: Deep Analysis, Task Management, and Search Service, help Connect users efficiently organize, manage, and deliver content as well as collaborate better via the cloud while working remotely.
Hula Post, Burbank, California, has launched Hula Post Everywhere, its newest post-production service. Primarily developed as a solution to create remote workflows during the COVID-19 pandemic, Hula Post Everywhere is wherever feature and television editors need to be, anywhere in the U.S.
MTI Film today announces the release of Cortex v5.3, the latest version of its family of products for managing workflows on set and in post. This latest release includes a host of new features that make managing and processing data during production and post-production easier and more efficient. It also adds support for the latest sound and picture formats and delivery requirements of leading distributors, including Netflix, HBO, Hulu and Quibi.
MetaMedia, Velocity and Pixelogic have formed MVP, a partnership between the three companies to deliver streamlined workflows and reduced cost in relation to the creation and delivery of content direct to theatres around the world. Harnessing the combined capabilities of each partner, MVP aims to improve how digital cinema packages, key delivery messages and cinema advertising are produced and distributed over managed internet connections directly to exhibitors’ screens and dynamic digital lobby displays.
The Association of Moving Image Archivists has launched the AMIA Diversity and Inclusion Fellowship Program a new initiative designed to expand career opportunities, advance learning objectives and guide professionals from groups that have been traditionally underrepresented in the field of audiovisual archiving and preservation.
Whip Media Group has named Pixelogic as a strategic supply chain partner. The companies say the partnership will provide media companies better transparency into their content workflows to maximize revenues, reduce costs, increase efficiencies, and get complete visibility and control over where and how television and movie titles are being distributed, both on a global scale and in real-time.
The Hollywood Section of the Society of Motion Picture and Television Engineers will explore the evolution of video compression, and new ideas for keeping files small, while preserving quality and creative intent, at its monthly meeting, scheduled for March 26 at the Academy of Motion Picture Arts and Sciences.
Ymagis Group has completed the sale of its Éclair Classics subsidiary to L’Image Retrouvée, a subsidiary of the Italian company L’Immagine Ritrovata. The company emphasized that this agreement has no impact on the rest of the Éclair business.