CineLife Entertainment, a division of Spotlight Cinema Networks, has announced the drive-in theatre rollout of The Rolling Stones: Havana Moon, a concert filmed in Havana, Cuba in 2016. The company will partner with UK content provider Eagle Rock to bring this film to drive-in theatres across the U.S. and Canada for an exclusive summer concert experience beginning July 1, while observing specific state reopening guidelines.
Showbiz Cinemas is upgrading all of its Superior Digital Experience auditoriums with Cinionic RGB+ Laser Light Upgrade Kits for their Barco Series 2 Projectors. Laser is core to the exhibitor’s upcoming remodels and renovations including ShowBiz’s Waxahachie, Texas and Edmond, Oklahoma locations.
When cinematographer Geoffrey Hall, ACS (Chopper, Red Dog: Escape from Pretoria) was asked to shoot Halifax: Retribution, a reboot of the popular Australian TV crime drama series, Halifax f.p. that ran from 1994-2001 on Channel Nine, he saw it as a challenge. “The original series always had exceptionally high production values – it was a quality show that enjoyed a good budget and featured the best actors,” said Hall. “For the new show, I wanted to carry on that feeling of quality and give it a big, glossy look. I was after a look that would put the series in a class of its own.”
The White Wall has been called one of the most exciting scripted television series to come out of Scandinavia in recent years with its unique storyline, high production value and superb cast. It was primarily shot in a remote village in northern Finland and set in the present time with science fiction elements. The story was based on an unusual white wall discovered deep underground at a mining site of one of the world’s largest nuclear waste depositories.
When it came time start work on the long-anticipated TV adaptation of Eleanor Catton's Man Booker prize-winning novel, The Luminaries, the filmmakers knew that one of their biggest challenges was to recreate the universe portrayed in the book. Produced by the BBC, Working Title Television and Southern Light Films and adapted for the screen by Catton herself, the six-part mini-series tells an epic story of love, murder and revenge, as men and women travelled across the world to make their fortunes on New Zealand’s South Island in the boom years of the 1860s gold rush.
Global exhibitor Kinepolis Group, which operates more than a thousand screens across nine countries including the US, Belgium, Spain, France, the Netherlands and Canada, is accelerating its transition to laser projection. In 2018, Kinepolis announced an exclusive partnership with Cinionic to power 300 screens with new laser projectors.
The Katz Group in the middle of the Black Forest in Weisenbach, Germany, traditionally made ground wood pulp board that was used for beer coasters. Now the company, which started in business more than 100 years ago is supplying what the company says is the ideal material for sustainable scenery construction in film and television.
Deluxe Entertainment Services has launched One VZN (pronounced “vision”), a new cloud-based IP delivery option for distributing major studio and independent content to movie theatres and exhibitors worldwide quickly and securely. Developed in collaboration with Amazon Web Services, One VZN is an enhancement to the Deluxe One platform, the company’s flagship cloud-based solution that unifies the media supply chain. One VZN leverages Deluxe’s 100-plus years of experience providing high-quality, reliable theatrical services to the media and entertainment industry and represents a continued investment in theatrical content delivery and support for the resurgence of theatrical viewing by consumers.
LG Electronics today officially confirmed that it has entered the cinema market with its LG LED Cinema Display technology.
MetaMedia, Velocity and Pixelogic have formed MVP, a partnership between the three companies to deliver streamlined workflows and reduced cost in relation to the creation and delivery of content direct to theatres around the world. Harnessing the combined capabilities of each partner, MVP aims to improve how digital cinema packages, key delivery messages and cinema advertising are produced and distributed over managed internet connections directly to exhibitors’ screens and dynamic digital lobby displays.