Dolby Laboratories congratulates this year’s Academy Award nominees who have used Dolby Vision and Dolby Atmos to bring their films to life. With the help of Dolby technologies these artists delivered spectacular experiences to audiences globally. The Academy Awards will be broadcast live from the iconic Dolby Theatre in Hollywood, on Sunday, February 9.
High Dynamic Range
Santa Clarita, California post-production facility Elite Media Technologies has added two Sony BVM-HX310 31-inch 4K high dynamic range master monitors to complement several BVM-X300, 30-inch 4K/HDR OLED reference monitors. The new HX310s work in conjunction with the X300s in critical monitoring situations, mastering and quality control environments and advance Elite’s HDR capabilities by offering support for wider color gamuts and providing up to 1,000 nits of full-screen brightness with a 1,000,000:1 contrast ratio. In addition, the HX310s can be color-matched to the incumbent X300 monitors for accurate color reproduction throughout the facility.
Muvi Cinemas in Jeddah, Saudi Arabia has installed the first Samsung Onyx Cinema LED screen in the kingdom. “Muvi Cinemas is proud to partner with Samsung Electronics to launch the new Onyx Cinema LED screen, bringing the latest innovation in cinemas to our upcoming developments at U-Walk Riyadh, Nakheel Mall Riyadh and Mall of Dhahran,” said Adon Quinn, general manager Muvi Cinemas.
Visual Data Media Services, which provides digital supply chain services to global content owners and distributors, has acquired London-based MX1 UK Limited, which offers content preparation services to leading broadcasters and content owners as a part of SES, the world’s leading satellite operator and managed service provider.
Three-time Academy Award-winning filmmaker Ang Lee’s much anticipated new film, Paramount Pictures’ Gemini Man, premieres October 6 at the TCL Chinese Theatre in Los Angeles. As has been the case with Lee’s most recent work, the film stretches technological boundaries by being produced in 4K resolution, stereoscopic 3D, and shot at 120 frames per second. The premiere will use Cinity, the new HFR cinema projection system developed by Christie for Huaxia Film Distribution. Christie’s strategic partnership with Huaxia Film Distribution and GDC Technology Limited resulted in the development of the Cinity Cinema System based on two Christie CP4450-RGB HFR projectors.
Alamo Drafthouse’s newest location – its 39th – in Westminster, Colorado continues the cinema-eatery’s tradition of implementing Sony’s 4K laser digital cinema projection technology. The nine-screen, all-laser complex features Sony’s SRX-R815P and 815DS 4K laser projectors in auditoriums ranging in size from 78 Seats to 245 Seats. The projectors deliver a high contrast ratio of 10,000:1 and are high dynamic range and high frame rate capable.
United Cinema Chain Kino Okko will be the first company to introduce the Dolby Cinema experience to the Russian market at its Cinema Park Metropolis in Moscow. Dolby Atmos immersive audio technology has been successfully deployed at several Russian movie theatres in recent years.
Huaxia Film Distribution recently held a grand launch in Beijing to formally introduce the Cinity Cinema System, which was unveiled earlier this year in Las Vegas at CinemaCon. A trailer of Gemini Man, the new film by Oscar award winning director Ang Lee was shown. Lee used the Cinity Cinema System to produce his latest film, Gemini Man in 4K stereoscopic 3D at 120 frames per second. He screened a trailer of the new film and made a video address to the audience gathered for the event.
MTI Film’s workflow software Cortex v5.2 has been officially certified to support Dolby Vision Content Mapping v4. Cortex can be used to apply Dolby Vision Content Mapping algorithms (v2 and v4) in preparing Dolby Vision interoperable master format packages, and when importing, exporting or modifying Dolby Vision XML and MXF files.
The production of the feature film Brittany Runs a Marathon presented several challenges. The directorial debut of Paul Downs Colaizzo, the film was shot by cinematographer Séamus Tierney, who came to the project late. That was just one of the reasons he was grateful to have the Panavision family of services to back him up, including camera support and Light Iron post-production.