Goldcrest Post has completed a major upgrade to its sound department, expanding its capacity to deliver soundtracks in Dolby Atmos Home Theater format. State-of-the-art immersive sound technology has been added to the facility’s Studio A to accommodate streaming, broadcast and home theater projects requiring Atmos sound. Goldcrest’s largest mix stage, Studio Q, was upgraded to support Dolby Atmos Home Theater in 2018.
Goldcrest Post sound artists were honored for Sound Editing and Sound Mixing at the Creative Arts Emmy Awards for their work on Netflix’s The Queen’s Gambit.
Nugen Audio has named Thomas Cassetta, Vladimir Bajnoci and Dean Lee as the winners of the company’s Show Us Your Setup photo contest. The contest tasked mixers and producers to submit beauty photos of their studio or workstation with Nugen Audio’s Paragon reverb on their monitors for a chance to win a $599 Nugen Audio voucher, and branded swag.
Emmy-nominated composer/playwright, novelist, musician and TV producer, Scooter Pietsch (pronounced peach) has created film and television music across the media landscape. Pietsch’s underscores, themes and original songs have graced thousands of TV series episodes including ABC Family’s Pretty Little Liars, USA Network’s Burn Notice, USA ‘s All Dogs Go to Heaven and E!’s Keeping Up with the Kardashians.
Currently in worldwide release from Columbia Pictures, director Will Gluck’s Peter Rabbit 2: The Runaway is the charming sequel to the 2018 hit about a bunny who’s a loveable rogue. Much of the creative team from the first film reunited for the new movie, including its award-winning sound team led by re-recording mixer Kevin O’Connell, supervising sound editor Robert Mackenzie and re-recording mixer/supervising Andy Wright.
“We are a little team of three here, so, we all wear many hats,” says Mirza Tahirovic, co-owner of Studio Chelia, a professional audio post-production facility in Sarajevo, Bosnia. “I’m a composer, sound editor and recording mixer, but I also do ADR recordings and other corrections when necessary.”
DTS today announced the first DTS:X quality control screening room in Japan has opened at Imagica Entertainment Media Services, Japan's largest post-production facility.
“Sound is important in all films, but in a supernatural thriller, it’s gigantic,” says writer/director Evan Spiliotopoulos, talking about his new film The Unholy. “What you hear and what you don’t hear are essential to crafting scares.” The new Screen Gems thriller follows Alice, a young hearing-impaired girl who, after a supposed visitation from the Virgin Mary, is inexplicably able to hear, speak and heal the sick. As word spreads and people from near and far flock to witness her miracles, a disgraced journalist hoping to revive his career visits the small New England town to investigate.
Re-recording mixer Frank Morrone has earned himself an extensive resume through his work with Todd AO and Technicolor, which includes projects from high-profile directors like Ron Howard and Tim Burton. In addition to his residency at the acclaimed post house, Morrone also works independently from his home studio for a wide array of film projects.
This week, the Motion Picture Sound Editors will present George Miller with its annual Filmmaker Award, the organization’s highest honor. The Australian director is being recognized for a diverse body of work that includes Happy Feet (an Academy Award-winner for Best Animated Feature), Babe: A Pig in the City and Lorenzo’s Oil, as well as Mad Max and its three sequels. Miller has called his masterpiece, Mad Max: Fury Road, “A movie we see with our ears.”