Sim, which recently completed a major expansion of its post-production facility in New York City, has seven new rooms there, four that accommodate audio. All four new audio rooms and a central machine room are linked using a network employing components from Focusrite’s RedNet range of Dante-networked audio converters and interfaces. There are now three broadcast audio 5.1-surround mix suites, one with Dolby Atmos capability, and an ADR/VO recording studio, which can accommodate as many as five actors.
San Francisco’s One Union Recording Studios has received certification from Dolby Laboratories to provide sound mixing services in Dolby Atmos. The certification applies to One Union’s Studio Four and includes a Dolby Laboratories wall plaque signifying that the space conforms to technical specifications consistent with the immersive sound format.
The Climb, director Michael Angelo Covino’s engaging debut feature, centers on the complex friendship between two men, Michael and Kyle, played by Covino and real-life friend Kyle Martin. For its Foley team from Alchemy Post Sound (working under supervising sound editor/re-recording mixer Ryan Billia), The Climb posed unique creative and technical challenges. Its first act centers on a bike ride that Michael and Kyle take in France prior to Kyle’s wedding. As the two men ascend a long hill, Michael makes a stunning admission regarding his friend’s fiancé. The results are disastrous with the men ultimately becoming involved in a violent confrontation with a passing motorist. Adding to the tension, the whole scene is captured in a single, intricately choreographed Steadicam shot.
For the past 30 years, award-winning re-recording mixer Joe Barnett has worked on a wide variety of high-profile projects including American History X, Austin Powers: The Spy Who Shagged Me, Crazy Heart, When in Rome, Chronicle, 2 Guns, Luke Cage, Daredevil and The OA. Among Barnett’s most recent credits is the Netflix hit Iron Fist. Barnett says Nugen Audio is integrated into every one of his surround projects.
Award-winning sound pros Rick Ash and Ron Eng have joined the sound team at Periscope Post & Audio, Hollywood. Ash and Eng will be the lead sound talent at Periscope Post & Audio’s Hollywood facility, which launched last month. The sound department features a theatrical mix stage with an Avid S6 digital console, Pro Tools and Dolby Atmos capability, as well as three additional mix stages also featuring Avid S6 consoles, Pro Tools and Dolby Atmos.
DPA’s 6066 Subminiature Headset Microphone was a winner in the Product Design category at the Red Dot Awards, which were held this week at the Aalto-Theatre in Essen, Germany. DPA Microphones’ project lead Rune Møller and research and development manager Ole Moesmann accepted the award for the company.
Alchemy Post Sound put on its tap shoes (and a whole lot more) to create the Foley sound for Fosse/Verdon, FX’s critically acclaimed limited series about choreographer Bob Fosse (Sam Rockwell) and his collaborator and wife, the singer/dancer Gwen Verdon (Michelle Williams). Working under the direction of supervising sound editors Daniel Timmons and Tony Volante, Foley artist Leslie Bloome and his team performed and recorded hundreds of custom sound effects to support the show’s sultry dance sequences and add realistic ambience to its historic settings.
Post-production sound for this summer’s blockbuster hit from Columbia Pictures, in association with Marvel Studios, Spider-Man: Far From Home, was completed by Sony Pictures Post Production Services. Supervising sound editor and sound designer Steven Ticknor, re-recording mixer and supervising sound editor and sound designer Tony Lamberti and re-recording mixer Kevin O’Connell led a team of veteran sound artists in delivering dynamic soundscapes to match the film’s full throttle action, mind-blowing superhero gadgetry and larger-than-life characters, the latter including a quartet of extra-dimensional creatures with colossal powers known as the Elemental Creatures.
With a unique improvisational acting style at the heart of the Netflix original film, Paddleton, capturing audio was of paramount concern for sound supervisor Daniel S. McCoy CAS, owner and operator of ToneMesa, Inc. “Sometimes, the team would go off to unplanned locations and I’d have to be ready to follow immediately,” says McCoy.
Sound production for Columbia Pictures’ new action adventure Men in Black: International was completed by Sony Pictures Post Production Services on the studio lot in Culver City. Three-time Academy Award-winning sound designer/supervising sound editor/re-recording mixer Paul N. J. Ottosson led the sound team in delivering a host of ingenious sound elements to support the film’s colorful cast of characters, super-charged action scenes and extraterrestrial comedy.