Serpent Productions recorded the Stadium rockers Muse concert in Rome's Olympic stadium in July this year in both HD and 4K simultaneously using Sony F55 cameras. The decision to post-produce a 4K-cinema version rested on whether it was at last possible to get a quality conversion at a low frame rate and in 4K.
Colorflow recently applied its color grading expertise to a newly restored version of Black Angel, a fantasy-themed short film with a Star Wars connection that was believed lost for more than 30 years.
Filmworkers provided post-production services with a distinctive Windy City accent for the latest spot from State Farm. Conceived by Chicago agency DDB, the spot features State Farm spokesman Aaron Rodgers, who finds himself wedged uncomfortably between a pair of Bears fans during an airline flight.
The 10th annual CVMP Conference will take place for two days November 6-7 at Leicester Square’s Vue Cinema, London.
Four years ago John DeBoer, chief operating officer of Toronto-headquartered SIM Digital sensed that the rental house business model needed to evolve.
A.K. Strom, director of the upcoming science fiction thriller The Watchers, says that with the latest advances in camera technology and digital effects, it is now possible for even the smallest, low-budget indie films to have realistic CGI.
Hollywood-based production studio Ingenuity Engine recently relied on Cospective’s video review tool Frankie to help finish a three-part television commercial campaign for Virgin Holidays.
Sony Pictures Digital Productions did the post-production work for Sony Pictures Animation’s Cloudy with a Chance of Meatballs 2, the much-anticipated sequel to the 2009 hit.
San Francisco is one of the most beautiful cities to shoot – hills, architectural variety, Mother Nature’s beauty – and the inevitable fog. That fog was something that could have hampered photographer Alex Pitt’s recent time-lapse shoot.
Autodesk announced the new capabilities of its Flame Premium 2014 software at the International Broadcasting Convention 2013.