Production & Post-Production

Digital Cinema Projection Pioneer Jack Kline Steps Down After 40 Years at Christie

Mon, 02/11/2019 - 11:56 -- Nick Dager

Christie has announced that Jack Kline, a pioneer in digital cinema technology and an architect of the innovative virtual print fee that accelerated the adoption of digital projection in movie theaters and created a revolution in global entertainment, is stepping down as chairman, president and CEO of Christie after 40 years with the company, effective April 1. Current chief financial officer Kazuhisa Kamiyama will assume the role as chairman and CEO, while Kline remains at the company as an executive advisor to the CEO until April 1, 2020 to assist in a smooth transition.

Sony Upgrades Venice to Include 4K HFR Shooting

Thu, 01/31/2019 - 13:56 -- Nick Dager

Sony is upgrading the capabilities of its Venice motion picture camera system by introducing high frame rate shooting, advanced remote-control functionalities and Cooke/i3 and Zeiss extended metadata support, as part of its latest firmware update. Both the free upgrade to firmware Version 4.0 and the optional HFR license will be available in June.

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Sony CineAlta Venice motion picture camera

Éclair Announces Updated Long-Term Digital Preservation Initiative

Wed, 01/30/2019 - 11:45 -- Nick Dager

Éclair today announced that its Éclair Preservation initiative, which is dedicated to the secure conservation and management of digital and analog media for the film & television sectors, is in accordance with France’s new National Centre for Cinema and the Moving Image (CNC) bylaws. In effect since January 1, the regulation related to feature film production funding requires all recent and upcoming productions applying for financial support from the organization to subscribe to CST-compliant (RT 043) conservation contracts to safeguard the media’s long-term viability.

Bringing The Beast to Life

Mon, 01/28/2019 - 11:36 -- Nick Dager

PowerHouse VFX, the New York-based boutique visual effects studio, rounded out its first year in business by serving as the sole visual effects vendor on M. Night Shyamalan’s Glass. PowerHouse completed approximately 300 shots ranging from Hero CG character animation work, environmental set extensions including buildings and cars, to bringing The Beast to life in many more scenes than they had done previously in Split.

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PowerHouse VFX

Ymagis Group Places Éclair Cinema in Receivership

Mon, 01/28/2019 - 11:30 -- Nick Dager

Ymagis Group has announced the implementation of the Employment Protection Plan for Eclair Cinema SAS following its approval by the regional labor authority and validation by the official receiver. This decision follows the placement in receivership of the French subsidiary Eclair Cinema SAS last November. For information, Eclair Cinema SAS represented 5.5 percent of Ymagis Group’s revenue for the first half of 2018 and almost all losses recorded over this same period.

Growing Number of Oscar Nominees Embrace Dolby Technology

Wed, 01/23/2019 - 12:44 -- Nick Dager

Dolby Laboratories congratulates this year’s Academy Award nominees who have tapped into the audio-visual power of Dolby technologies to draw audiences into their stories. Five of the eight Best Picture nominees this year used both Dolby Vision and Dolby Atmos. And all five films nominated for Sound Mixing and Sound Editing awards this year were presented in Dolby Atmos.

Three of the five Best Animated Film nominations also utilized Dolby Vision and Dolby Atmos.

Dolby Vision Certification Awarded to Eurofins Digital Media Services New York

Wed, 01/16/2019 - 13:09 -- Nick Dager

The New York facility of Eurofins Digital Media Services has been granted a Certification in Dolby Vision Quality Control Services. Eurofins is the first dedicated Dolby Vision quality assurance facility on the East Coast, meeting the growing demand for quality control and testing services in New York City.

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