JVC Professional Products Company announces the availability of its Version 3.0 firmware upgrade for its GY-HM600 and GY-HM650 mobile news cameras. Available through the JVC Web site, the upgrade is free to all current GY-HM600 and GY-HM650 owners.
Voyager Pictures, the production company behind Cosmos: A SpaceTime Odyssey has been using Shotgun Software to keep the 13-episode series’ demanding visual effects deliverables on schedule. Shotgun is the film, TV and game development industries’ trusted platform for production management and review, and as talent moves from visual effects facilities into production companies, many are choosing to bring Shotgun along for the ride.
Every production relies heavily on its support equipment. The camera crew behind the hit FX TV series The Americans, which just ended its second season, understands this very well. The show’s cinematographer Richard Rutkowski, and camera assistants Brendan K. Russell and Rory Hanrahan, rely on Anton/Bauer batteries and chargers, Litepanels LED lights, and OConnor fluid heads and tripods for their reliability and durability during stage and location shoots, which helps keep the show on pace and on budget.
Veteran sound mixer Danny Michael, whose recent portfolio includes three feature films The Secret Life of Walter Mitty with Ben Stiller, Non-Stop, with Liam Neeson, and the upcoming John Wick, starring Keanu Reeves. He understands the importance of capturing pristine audio in the field.
Technicolor-PostWorks New York marked its third collaboration with Darren Aronofsky in providing post-production services for Noah, the director’s epic inspired by the story of Noah in the Old Testament. The facility provided everything from 35mm film processing to editorial conforming and final color grading.
Full Circle Post NYC has added an Archion EditStor to give it a shared media storage system with transparent Avid project sharing.
The documentary Fool Cool Rock from director: Hiroyuki Nakano will be mixed and released in Auro 11.1 this month. “I’m so proud that Auro 11.1 by Barco was selected as the preferred sound format for this movie. One OK Rock’s devoted fans will be delighted when they hear this band perform like never before,” said Brian Claypool, senior director of strategic business development at Barco.
Blur Studio teamed up with director Marc Webb and Sony Pictures Imageworks VFX supervisor Jerome Chen once again to create visual effects for the opening sequence, end titles and 45 other visual effects shots for Columbia Pictures’ The Amazing Spider-Man 2.
As part of an ongoing commitment to equip indie game makers and artists with powerful, accessible 3D tools, Autodesk today announced that its Mudbox 2015 digital painting and 3D sculpting software is now available as a Desktop Subscription license for $10 a month.
Today Autodesk launched FBX Review for Apple Mac OS X and iOS 7. A free, standalone application that debuted last year for Windows, FBX Review offers professional artists and animators a powerful, lightweight toolset for conducting detailed and timely reviews of 3D assets via desktops or mobile device
