Tobacco addiction is notoriously difficult to kick. Just how difficult, and the impact quitting has on individual lives, is the subject of Project Quit, a newly-launched public-service initiative developed by Riester for the Arizona Smokers’ Helpline.
Final post-production finishing for The Butler, director Lee Daniel’s epic story about race relations in America, was completed at Technicolor-PostWorks, New York
Neglab, a Sydney, Australia motion picture film laboratory for processing 35mm and 16mm color negative, will reopen its doors later this month to provide high-quality film processing services to the region.
Kind, a new creative editorial boutique, has opened in New York's Union Square district.
A.K. Strom, director of the upcoming science fiction thriller The Watchers, says that with the latest advances in camera technology and digital effects, it is now possible for even the smallest, low-budget indie films to have realistic CGI.
Colorfront has appointed Bill Feightner as its new chief technology officer.
Hollywood-based production studio Ingenuity Engine recently relied on Cospective’s video review tool Frankie to help finish a three-part television commercial campaign for Virgin Holidays.
The Hungarian FilmLab (Magyar Filmlabor), Hungary’s largest provider of film laboratory and post-production services, has purchased an MTI Film Cortex::Dailies system to service feature and television productions working in Hungary and throughout Europe.
“In the true tradition of independent film, Cold Turkey is a dialogue- and character-driven movie,” explained director of photography Lucas Lee Graham. “We wanted an intimate, personal look with a really shallow depth of field and nice portraiture so that the visual emphasis would be on the characters and what they were doing.”
Sony Pictures Digital Productions did the post-production work for Sony Pictures Animation’s Cloudy with a Chance of Meatballs 2, the much-anticipated sequel to the 2009 hit.
