The documentary Gennadiy follows Gennadiy Mokhnenko, whose life cause is to save the children forced to the streets of Mariupol, Ukraine, since the day the Soviet Union fell. The filming challenges are often unexpected. “We had to be ready in a moment’s notice to adapt, whether it be moving locations or adjusting the story,” said producer/director Danny Yourd.
Production & Post-Production
Filmworkers helped Chicago agency DDB recapture the thrills experienced by visitors to Chicago’s 1893 World’s Fair in a new ad campaign for The Field Museum.
“On behalf of The Motion Picture Sound Editors, I am pleased to announce that James Cameron will be honored with our Filmmaker Award at the 2014 Golden Reel Awards,” said Frank Morrone, president of MPSE. “
Pictorvision has introduced TrussCam by Camera Special Systems, the latest innovation to enable creative and dynamic coverage for stadium, arena, courts, theatres and other events. This one-of-a-kind trolley mounted, gyro-stabilized camera system provides previously impossible shots in large venues. The versatile system features a camera mounted on a completely wireless trolley, which runs on standard 290mm truss.
Versatile Distribution Services today announced exclusive 4K and 2K turnkey workstations that feature Assimilate’s Scratch digital intermediate software running on HP Z820 workstations in North America and Latin America. The Scratch systems enable digital cinema and broadcast artists to generate dailies, conform, color-correct, and complete the finishing of features, documentaries, videos, and episodic TV within a real-time, integrated, user-friendly workflow.
Filmed in 3D, How Cities Work visits London, New York, Barcelona, Las Vegas, Berlin, San Francisco and many other iconic cities following the amazing technological achievements, planning and engineering feats that make life in these great cities possible and pleasurable for the masses. BTV Post handled all the post-production for the TV series How Cities Work, which was commissioned by Discovery. BTV Post worked closely with Electric Sky Productions to ensure How Cities Work retained its 3D visuals and in-depth footage.
Horror films have a certain style: cramped quarters, heat, now-you-see-it-now-you-don’t or did-you-really-see-it. Lighting for the suspense, and horror of the genre is always a particular challenge but one that cinematographer Steve Romano believes he handled nicely the indie feature The Girl, which was directed by Jennifer Blanc-Biehn.
New York Women in Film and Television hosted a reception last night to introduce the organization to online journalists and to promote their annual Muse Awards, which will be held December 12 at the Hilton New York.
Framestore used 16 Vicon T40 cameras on the pre-visualisation for space scenes in Gravity. Framestore integrated the cameras with Blade – Vicon’s data capture and data processing system – to help create complex and extremely realistic visual effects. They will also use the cameras for pre-vis on the upcoming film Jupiter Ascending.
When Devin Lund, director of photography for The Aviators on PBS, goes on assignment, he’s got to be ready for constant change. “Sometimes we’re dealing with the military. Sometimes we’re dealing with private aircraft owners. I’ve got to be ready to deal with last-minute changes. It always happens,” Lund explains.