Featured Stories

Finding the Humor in Hybrid

Mon, 01/18/2016 - 12:33 -- Nick Dager

Toyota and Burrell Communications are introducing the 2016 RAV4 Hybrid with a series of broadcast commercials, web spots and video vignettes starring Keegan-Michael Key (MADTV, Comedy Central, Key & Peele and Playing House) that take a comedic approach to dispelling the misconceptions about hybrid vehicles. Bob Ackerman, creative editor, and partner at The Colonie, along with the full-service boutique’s visual FX and design team took the package from cutting through finishing.

Celebrating Firsts with Baba Joon

Fri, 01/15/2016 - 11:11 -- Nick Dager

Baba Joon means papa as a term of endearment expressing respect for the father of the family in a traditional Iranian home. A movie named Baba Joon was selected as best film at the most recent Ofir Awards, the Israeli version of the Academy Awards. The film portrays the human struggle many face when having to choose between tradition and personal freedom, dealing with the challenges that the generational gap can cause. Baba Joon is the feature-length directorial debut of screenwriter director Yuval Delshad, an Israeli and himself, the son of Iranian immigrants. Shot with a Red Epic, Baba Joon was also the first feature completed on Tel Aviv-based Edit Studio's Mistika.

Miami Festival Focuses on Women Filmmakers

Wed, 01/13/2016 - 13:39 -- Nick Dager

A unique partnership with Google on a new seminar series addressing gender and racial gaps in the film industry, particularly in technical cinematographic roles, is among new highlights unveiled today by Miami Dade College's Miami International Film Festival, as Festival organizers count down to the 33rd edition of the acclaimed annual event March 4 - 13, 2016. The Festival is the only major film festival produced and presented worldwide by a college or university. The Festival also unveiled 21 additional new feature films for the 2016 program, highlighting some of the year's most superb accomplishments. All the films have the special distinction of having been directed by women.

NATAS Honors SMPTE, Chuck Pagano

Wed, 01/13/2016 - 13:34 -- Nick Dager

The National Academy of Television Arts & Sciences has awarded SMPTE an Emmy Award for Technology and Engineering for its work on Standardization and Pioneering Development of Non-Live Broadband Captioning. The award was presented to SMPTE, Netflix, Home Box Office, Telestream, and the World Wide Web Consortium during the 67th Annual Technology & Engineering Emmy Awards ceremony, which was held January 8 in Las Vegas in conjunction with the international Consumer Electronics Show.

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Making the Most of Sound

Mon, 01/11/2016 - 11:07 -- Nick Dager

As with most independent films, budgets for the short film The Chain were minimal, which meant that sound editor and mixer Michael Gross needed to make the most of the audio he had from the set. iZotope’s RX suite of intelligent repair and enhancement modules enabled Gross to clean up production dialogue to a point where very little automatic dialogue replacement was required. For an independent film on a limited budget, this represented a huge savings in time and effort for both cast and crew.

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Managing Workflow at Moonbot Studios

Wed, 01/06/2016 - 12:37 -- Nick Dager

Shreveport, Louisiana is the home to Moonbot Studios, a six-old-year multimedia production studio with a knack for creating storytelling magic. Founded by filmmakers William Joyce, Brandon Oldenburg and Lampton Enochs, the company won an Academy Award in 2012 for the whimsical animated short The Fantastic Flying Books of Mr. Morris Lessmore. Currently boasting a staff of 50 artists, producers and support personnel, Moonbot has also produced feature-quality animation for television, games, apps, branded entertainment and a myriad of other mediums. Along the way, it’s filled its trophy rack with four Emmys, 12 Clios, 14 Cannes Lions and five Webby Awards.

Lighting a Dark Lifetime

Tue, 01/05/2016 - 10:59 -- Nick Dager

Once in a Lifetime tells the story of two aspiring New Jersey rockers (the real-life band Clayton-Ellis), who move to New York and by chance meet a legendary 1980s rock icon, who they want as their manager and potential ticket to success. Written by Iron Maiden’s groundbreaking bass player and songwriter, Stephen Harris, the pilot for the series was shot in New York City over the course of eight days in November. Dejan Georgevich, ASC, served as director of photography. He shot with two Panasonic VariCam 35 4K camera recorders. “During pre-production, I and our digital imaging technician Dave Satin ran demos on the VariCam 35 that included literal candle tests in pitch darkness,” he said.

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