Nagra, a Kudelski Group company, today launched NexGuard ClipMark, which it says is the industry’s only forensic watermarking technology designed to detect the source of pre-release content leaks on very short video clips, down to thirty seconds.
Even as the COVID-19 pandemic has curtailed production activity in much of Hollywood, Vortechs, an independent supplier of post-production technology, is implementing novel solutions to help its clients stay on track with motion picture and television projects. Vortechs-supplied projects, now working remotely, include the upcoming Warner Bros. features Suicide Squad 2 and In the Heights, directed by John Chu and edited by Myron Kerstein.
The Hollywood Section of the Society of Motion Picture and Television Engineers will explore the evolution of video compression, and new ideas for keeping files small, while preserving quality and creative intent, at its monthly meeting, scheduled for March 26 at the Academy of Motion Picture Arts and Sciences.
Jimmy Carter: Rock & Roll President, the new feature documentary from Grammy Award-winning director Mary Wharton, producer Chris Farrell and writer Bill Flanagan, will make its world premiere April 15 as it opens the 19th Tribeca Film Festival in New York. The rockumentary-flavored film, which went through post-production finishing at Sim Post New York, centers on the 39th president’s life-long passion for music and rock’s contribution to his unlikely journey from a peanut farm in Georgia to the White House.
Two Dum Micks, an offbeat comedic short film, written, directed, and produced by D.B. Sweeney and edited by Keith Kristinat at The Colonie in Chicago, has won more than two-dozen first-place film festival awards to date. It tells the story of Mikey and Mick, played by Sean Astin and Sweeney, as two down-and-out guys who come up with an implausible jailhouse scheme to get the money they need to solve their legal problems.
CAN Film is a boutique post-production and film company based in the heart of Gothenburg, Sweden. Clas Hakeröd and Nikolai Waldman, two highly experienced and trusted names within the industry, started the company in 2015. For the past 20 years they have been producing and post-producing commercials, features, corporate films, documentaries and TV series, like The girl who played with fire, Olympic Games, Saltön, Ettor & nollor, Americas Cup, Uppdrag Granskning, Volvo, IKEA and many more. Recently, Waldman branched out to start the company DejaSoft and develop the editing software tool DejaEdit. Digital Cinema Report spoke with him about how DejaEdit came to be.
Film editor Rickard Krantz was part of the creative team that worked on the movie The Perfect Patient (Swedish title: Quick), which was nominated for Sweden’s prestigious Guldbagge award for editing. The film was also selected as one of Sweden’s three finalists for submission to the 92nd Academy Awards in 2019
This year at Sundance, more films than ever have been created with Adobe Premiere Pro, making Adobe the most used editing software at the festival for the second year in a row, based on an official Sundance survey. The majority of films (56 percent) chose Premiere Pro for editorial software.
Visual Data Media Services, the West London provider of digital supply chain services to global content owners and distributors, has announced the opening of a new digital screening room. The new facility is fully 4K and Dolby Atmos capable and comprises a 10-seat theatre built around a NEC 4K projector and fed by a Doremi digital cinema server. A Dolby Atmos CP950 sound processor is linked to JBL speakers and Crown amplifiers.
Axle AI has launched Ascribe.ai, which the company is calling a breakthrough in affordability for the artificial intelligence driven transcription of videos. Ascribe.ai is available directly from the Adobe Exchange Application Marketplace at no charge, and includes one hour of free transcription of video content on registration.
