With the growth of Netflix, Disney+, Amazon Prime and Apple TV, to name just a few, the international audience for film and television has never been bigger or more diverse. And the need for accurate and coherent subtitles – both for artistic and economic reasons – has never been more important. For two decades Dr. Vasilis Manousakis, the Literature, Literary and Audiovisual Translation instructor at Hellenic American College in Athens, Greece, has been subtitling and translating a broad range of genres, series and films produced by HBO, Disney, Universal Pictures, Warner Bros. and Netflix, among them Lost, The Good Place, Star Wars and Game of Thrones.
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The Digital Citizens Alliance and Nagra have jointly an investigative report showcasing how illegal piracy subscription services in the United States have grown into a billion-dollar industry that steals from creators, circumvents legitimate TV operators, and poses risks for consumers. The report, entitled Money for Nothing, details how a sophisticated ecosystem of thousands of retailers and wholesalers – through content theft and enabled by legal businesses – provides illicit piracy services to at least nine million U.S. households.
As Netflix, Disney, Amazon, and Apple battle for the estimated global $1 billion over-the-top subscription market, one company – Magine Pro, an OTT platform for mid-tier market video-on-demand and TV content – is asking the question: Will the VOD market be The Battle of the Global Giants or is there room for thematic streaming services that all together could create a wider diversity in the market? Put another way, is there enough consumer demand for specialist services for sports, kids programs, genre-specific series and movies, food and cooking services etc to make it a sustainable business?
Nagra’s IP Blocking solution has won the top spot in the Protecting Content and its Value category of the Videonet Connected TV awards.
The International Union of Cinemas (UNIC), the body representing European cinema trade associations and operators, today issued a statement condemning Universal Studios' reported decision to stream movies the same day they are released to theatres. Here is the UNIC statement:
The Movie Studio, a vertically integrated motion picture production company, has signed a licensing agreement with FilmHub, an online marketplace for film creators and streaming services. Per the agreement, The Movie Studio will license FilmHub’s catalog for viewing on The Movie Studio App, which is available on Google Play and the App Store. The Movie Studio will also license its catalog to FilmHub for distribution via its online film marketplace.
Wez Merchant, the founder and managing director of the public relations company Strike Media has a plan to support motion picture distributors during the COVID-19 crisis. He is launching a free newsletter that would include all the home entertainment, video on demand and premium video on demand movies being released each week.
The Göteborg Film Festival’s video-on-demand platform Draken Film has launched a selection of newly released films in collaboration with leading Swedish distributors and is donating half of the revenues from new subscribers to independent Swedish art-house cinemas.
Netflix in 2019 launched about nine times as much original programming as its chief video-streaming rival Amazon, reflecting the divergent business models of the two companies, a new study shows. Last year, Netflix released 2,701 hours’ worth of original programming, compared to just 314 hours for Amazon Prime Video, according to the Omdia Original Online Production Report – 2020.
Post-production finishing for the first season of El Club, Netflix’s new young adult dramedy, was recently completed at Cinematic Media in Mexico City. The country’s only full-service facility focused exclusively on cinema and television post, the company handled both sound and picture finishing for the series, now available through the streaming service in Mexico and other Spanish-speaking markets.